"Jonah's Gourd Vine" can be called without fear of exaggeration the most vital and original novel about the American Negro that has yet been written by a member of the Negro race. Miss Hurston … has made the study of Negro folklore her special province. This may very well account for the brilliantly authentic flavor of her novel and for her excellent rendition of Negro dialect. Unlike the dialect in most novels about the American Negro, this does not seem to be merely the speech of white men with the spelling distorted. Its essence lies rather in the rhythm and balance of the sentences, in the warm artlessness of the phrasing.

No amount of special knowledge of her subject, however, could have made "Jonah's Gourd Vine" other than a mediocre novel if it were not for Miss Hurston's notable talents as a storyteller. In John, the big yellow Negro preacher, and in Lucy Potts, his tiny brown wife, she has created two characters who are intensely real and human and whose outlines will remain in the reader's memory long after the book has been laid aside. They are part and parcel of the tradition of their race, which is as different from ours as night from day; yet Miss Hurston has delineated them with such warmth and sympathy that they appeal to us first of all as human beings, confronting a complex of human problems with whatever grace and humor, intelligence and steadfastness they can muster. (pp. 6-7)

Not the least charm of the book … is its language—rich, expressive and lacking in self-conscious artifice. From the rolling and dignified rhythms of John's last sermon to the humorous aptness of such a word as "shickalacked," to express the noise and motion of a locomotive, there will be much in it to delight the reader. It is to be hoped that Miss Hurston will give us other novels in the same colorful idiom. (p. 7)