Peter, an executive for a publishing house. An average-sized and nearsighted man in his early forties, Peter has Catholic tastes and dresses conservatively; he is an upper-class representative of the Eisenhower years. His family life is predictably normal: a good wife, two daughters, two cats, two parakeets, and a nice apartment in the East Seventies of Manhattan. His attitude reflects his status: He is naïve, complacent, passive, proper, and a bit bored. His intention on this afternoon was to read quietly in Central Park. A stranger, Jerry, interrupts him with talk and then aggression. Although Peter is slow to anger, Jerry’s incessant prodding eventually drives him to pick up Jerry’s knife. After Jerry impales himself, Peter exits the now-ending play with his previously established character destroyed by this chance and absurd encounter.
Jerry, an emotionally disturbed man in his late thirties. Anxious and angry about his bisexuality, poverty, and alienation, Jerry tries to make sense of his pain by walking from the New York Zoo looking for another human to confront. Finding Peter, he talks in a rambling yet intelligent way about the miseries of his life. His autobiography reveals his inability to relate to others, including the fellow residents of his rooming house on the upper West Side. In a final and suicidal attempt to give his life meaning, Jerry has on this day set out intent on creating the...
(The entire section is 465 words.)