Audre Lorde’s creation of the term "biomythography" with her work Zami marks a significant moment in literary history, signaling her intention to forge a new genre that seamlessly intertwines elements of biography, mythology, and history. This innovative approach anticipated a broader literary movement characterized by the deliberate blending of fiction and nonfiction, a trend embraced by autobiographical writers as varied as Maxine Hong Kingston and David Eggers.

Lorde's writing emerged during a pivotal period when feminist discourse was beginning to grapple seriously with cultural diversity and the nuanced differences both among women and between genders. Her unique perspective as a lesbian of color allowed her to craft narratives that not only reflected her personal journey but also resonated with a wider audience of marginalized voices. Her work illustrates the power of specificity in storytelling; by focusing on her distinct experiences, Lorde was able to reach an array of oppressed individuals, regardless of their own backgrounds.

Through her writing, Lorde demonstrated that literature does not need to generalize or flatten the complex identities of women or African Americans to inspire movements towards social justice. Instead, she showed that embracing the multifaceted and varied nature of individual experiences can foster empowerment and unity among diverse groups striving for change. Her influence continues to be felt in contemporary discussions on identity and representation within literature.