Biography
Arthur Yvor Winters was a multifaceted figure—an accomplished poet, an insightful literary critic, a dedicated college professor, and a passionate breeder of Airedale terriers. His journey began in Chicago, but his life took him to various places including California and Oregon before his family settled back in Illinois in 1913. While his parents had aspirations for him to enter the medical field, Winters pursued higher education in languages and literature, driven by an early love for poetry and literary studies.
Early Life and Education
Winters's literary pursuits were kindled during his high school years in Chicago, where he immersed himself in Poetry, a prominent magazine that spotlighted new American verse. His correspondence with Harriet Monroe, the magazine's editor, marked the beginning of his deep engagement with the literary world. In 1917, he enrolled at the University of Chicago, but his studies were interrupted in 1918 when he was diagnosed with tuberculosis. Moving to the therapeutic climate of New Mexico, Winters spent several formative years in a sanatorium from 1918 to 1922, a period during which he delved into extensive reading and began crafting his poetry. His initial poems were published by Monroe in 1920 in Poetry. The following year, his debut poetry collection, The Immobile Wind, emerged, showcasing his talent for capturing nature through evocative language and formal verse techniques. This collection was soon followed by The Magpie’s Shadow in 1922.
Academic Pursuits and Personal Life
With his health restored, Winters continued his academic journey at the University of Colorado, where he earned his B.A. and M.A. in Romance languages. His career as a language instructor began at the University of Idaho in 1925, where he taught until 1927. During this time, he married fellow writer Janet Lewis in 1926. His personal experiences and the landscapes of New Mexico served as inspiration for his third poetry collection, The Bare Hills, published in 1927.
Advanced Studies and Literary Output
In 1927, Winters furthered his scholarly endeavors at Stanford University, aiming for a doctoral degree. By 1928, he became a lecturer at Stanford, balancing his teaching duties with a prolific writing career. His 1930 publication, The Proof, marked a pivotal moment in his oeuvre. This work was divided into three distinct sections, featuring free-verse poems, a sonnet sequence, and explorations of themes such as loss. Through The Proof, Winters demonstrated the enduring relevance of traditional poetic forms in expressing contemporary ideas and emotions. His subsequent work, The Journey, and Other Poems, delved into themes like wisdom, the passage of time, and the human condition. He completed his Ph.D. by 1934 with a thesis titled “A Study of the Post-Romantic Reaction to Lyrical Verse, and Incidentally in Certain Other Forms.” Also in 1934, he released Before Disaster, which includes some of his more celebrated poems such as “To My Infant Daughter” and “By the Road to the Sunnyvale Air-Base.”
Teaching Career and Later Works
Winters enjoyed a long tenure as a professor at Stanford, from 1934 until his retirement in 1966. During this period, he published two additional poetry collections. The first, titled simply Poems, compiled works from 1939 to 1940 and was printed at his own Gyroscope Press in Los Altos, California. In 1952, Alan Swallow Press released his Collected Poems, further solidifying his legacy as a poet.
Contribution to Literary Criticism
Alongside his poetry, Winters was an influential literary critic, producing six books between 1937 and 1967 that articulated his theories on literature and verse composition. His critical analysis covered a wide array of authors, from Emily Dickinson to Hart Crane....
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His seminal work,Forms of Discovery, showcased his ability to articulate and defend his critical positions. Winters classified poetry into two main categories: English poetry prior to 1700 and American poetry post-1830. He assessed poems based on formal elements like tone, style, logic, rhythm, and word choice, arguing that these elements were crucial for conveying clear meaning. Although his focus on form was sometimes controversial, Winters prioritized the poem's impact on the reader over the author's intent. His critical approach was deeply influenced by his engagement with the theological writings of St. Thomas Aquinas, prompting him to consider the moral implications of poetry's form and content.
Additional Literary Ventures and Legacy
Winters was also active in translating French and Spanish poetry for periodicals, crafting book reviews and literary articles, many of which were later compiled in Uncollected Essays and Reviews. He managed a short-lived magazine, The Gyroscope, and studied poets like Edwin Arlington Robinson and William Butler Yeats. His editorial work included preparing the poetry of Elizabeth Daryush for publication in 1948. Winters passed away from cancer on January 25, 1968. His correspondence was made available for scholarly use in 1993, providing further insight into his literary legacy.
Criticism by Yvor Winters
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Robert Frost: Or, the Spiritual Drifter as Poet
Robert Frost Criticism
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The Poetry of W. B. Yeats
William Butler Yeats Criticism
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John Crowe Ransom, or Thunder Without God
John Crowe Ransom Criticism
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The Post-Symbolist Methods
N. Scott Momaday Criticism
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The Poetry of Gerard Manley Hopkins
Gerard Manley Hopkins Criticism
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The Poetry of Louise Bogan
Louise Bogan Criticism
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Dear Judas
Robinson Jeffers Criticism
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Mina Loy
Mina Loy Criticism
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Three Poets (Randall Jarrell, John Berryman and J. V. Cunningham, 1948)
J. V. Cunningham Criticism
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The Poetry of J. V. Cunningham
J. V. Cunningham Criticism
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A Foreword
Elizabeth Daryush Criticism