Yusef Komunyakaa

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I Apologize for the Eyes in My Head

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Muratori notes that I Apologize for the Eyes in My Head showcases a talented surrealist. Komunyakaa's poems create and populate a world in which the linchpins of common sense and everyday appearances come loose, where simple answers fall like ashes through an iron grate. The invention is considerable, and though the accretion of wild images and preposterous characters eventually wears thin, this volume showcases a talented surrealist whose future work will warrant close attention.
SOURCE: A review of I Apologize for the Eyes in My Head, in Library Journal, Vol. 111, No. 20, December, 1986, pp. 115-16.

[Below, Muratori notes that I Apologize for the Eyes in My Head "showcases a talented surrealist."]

Komunyakaa's poems [in I Apologize for the Eyes in My Head] create and populate a world in which the linchpins of common sense and everyday appearances come loose, "where simple / answers fall like ashes / through an iron grate." Photographers airbrush the truth, Cinderella wakes up in a California pleasure dome. Even individual poems take on phantasmagoric dimensions akin to Bosch's busy but fascinating paintings as the poet reels off catalogs of apocalyptic events: "A white goat / is staring into windows again. / Bats clog the chimney like rags. / An angel in the attic / mends a torn wing." The invention is considerable, and though the accretion of wild images and preposterous characters eventually wears thin, this volume showcases a talented surrealist whose future work will warrant close attention.

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