Yukio Mishima Criticism
- Mishima Yukio (Pseudonym of Kimitake Hiraoka)
- Mishima, Yukio (Vol. 2)
- Mishima, Yukio (Pseudonym of Kimitake Hiraoko)
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Mishima, Yukio
- Introduction
- Principal Works
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Criticism
- Mishima's Modernist Treatment of Time and Space in The Sea of Fertility
- Mishima—Against a Political Interpretation
- Fantasy and Reality in the Death of Yukio Mishima
- Seppuku
- Alienation in the Novels of Yukio Mishima
- Seeing through a Mask's Confession
- To Slit the Beautiful Body/Text: Mishima's Jouissance to Death
- Mishima—A Passion for Life and Death
- ‘Sadly Wasted by Words’: Mishima's Search for the Proustian Self
- A Gaze into the Temple of Dawn: Yukio Mishima's ‘Absence in Presence’
- The Obsession to Destroy Monuments: Mishima and Böll
- The Bloody Spectacle: Mishima, The Sacred Heart, Hogarth, Cronenberg, and the Entrails of Culture
- Decay of Mishima's Japan: His Final Word
- Body/Talk: Mishima, Masturbation, and Self-Performativity
- Structures of Emptiness: Kitsch, Nihilism, and the Inauthentic in Mishima's Aesthetics
- Glossing Scripts and Scripting Pleasure in Mishima's Confessions of a Mask
- Further Reading