The Yellow Wallpaper Criticism
- Introduction
- Principal Works
- Why I Wrote ‘The Yellow Wallpaper.’
- From The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination.
- Escaping the Sentence: Diagnosis and Discourse in ‘The Yellow Wallpaper.’
- Reading about Reading: ‘A Jury of Her Peers,’ ‘The Murders in the Rue Morgue,’ and ‘The Yellow Wallpaper.’
- Monumental Feminism and Literature's Ancestral House: Another Look at ‘The Yellow Wallpaper.’
- Gilman's ‘The Yellow Wallpaper’: A Centenary
- ‘Overwriting’ the Rest Cure: Charlotte Perkins Gilman's Literary Escape from S. Weir Mitchell's Fictionalization of Women
- When the Marriage of True Minds Admits Impediments: Charlotte Perkins Gilman and William Dean Howells
- Review of “The Yellow Wallpaper”: Charlotte Perkins Gilman
- ‘The Yellow Wallpaper’ on Film: Dramatising Mental Illness
- ‘Fecundate! Discriminate!’: Charlotte Perkins Gilman and the Theologizing of Maternity
- Overwriting Decadence: Charlotte Perkins Gilman, Oscar Wilde, and the Feminization of Art in ‘The Yellow Wallpaper.’
- ‘[A] Kind of Debased Romanesque with Delirium Tremens’: Late-Victorian Wall Coverings and Charlotte Perkins Gilman's ‘The Yellow Wallpaper.’
- Dispossessing the Self: ‘The Yellow Wallpaper’ and the Renunciation of Property
- Further Reading