Yasunari Kawabata Kawabata, Yasunari (Vol. 107)

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(Contemporary Literary Criticism)

Yasunari Kawabata 1899–1972

Japanese short story writer, novelist, and critic.

The following entry presents an overview of Kawabata's career. For further information on his life and works, see CLC, Volumes 2, 5, 9, and 18.

During his career, critics had difficulty classifying Kawabata because he developed a unique style combining elements of traditional and modern literature. International audiences, including the Nobel Prize Committee, thought of Kawabata as representing traditional Japanese literature. This view often confused Japanese audiences, who considered Kawabata a modernist. He was involved in the development of new literary styles and movements in Japan, but tradition did play a role in his style and themes.

Biographical Information

Kawabata was born in Osaka in 1899. His early life was filled with loss. His father died when he was two years old, his mother when he was three, his sister when he was nine, and his grandfather when he was 16. He spent most of his childhood living in school dormitories. Family life is very important in Japanese culture, and the loneliness and alienation that characterized his youth infused his later fiction. Kawabata attended the elite First Higher School from 1917 to 1920 and received a degree from the English Literature Department of Tokyo Imperial University in 1920; in 1924 he received a degree from the Japanese Literature Department. As a young writer in 1924, Kawabata worked with other writers to create the Bungei jidai, or Literary Era, in opposition to the proletarian literature popular at the time. They were known as "Neoperceptionists," and they were concerned with the aesthetics of literature. Their work focused on diction, lyricism, and rhythm. While involved in this literary movement, Kawabata was better known as a critic than as a writer himself. In 1926 he gained attention for his fiction with the publication of his short story "The Izu Dancer" in a literary monthly. He went on to write short stories and several novels which earned him an international reputation. He became a member of the Art Academy of Japan in 1953, and in 1957 was appointed chairman of the P.E.N. Club of Japan. Kawabata received the Goethe Medal in 1959 in Frankfurt and in 1961 was awarded Japan's highest recognition for a man of letters, the Order of Culture. He went on to win the Nobel Prize for Literature in 1968. He committed suicide in April of 1972, leaving no note or explanation.

Major Works

Kawabata's fiction combines elements of modern and traditional literature. In addition to remaining true to traditional forms, Kawabata often focused on retaining traditional culture in the face of the modern world as the subject of his fiction. He presented and defended such traditional Japanese forms as the tea ceremony in Sembazuru (Thousand Cranes; 1952), the game of Go in Go sei-gen kidan (The Master of Go; 1954), and folk art in Koto (The Old Capital; 1962). Kawabata wrote in a style similar to traditional Japanese haiku poetry, known as renga, or linked poetry. His work is filled with imagery and symbolism. Kawabata never wrote about political turmoil, but instead focused on personal and spiritual crises. His major themes included loneliness, alienation, the meaninglessness and fleeting nature of human passion, aging, and death. The Master of Go is an example of Kawabata's theme of tradition versus modernization, using the traditional Japanese game of Go. The Master represents tradition and views Go as an art form. The young challenger Otaké represents the modern rational approach to Go. In the end the Master is overcome by modern rationalism. Nemureru bijo (House of the Sleeping Beauties and Other Stories; 1953) is a collection of short stories depicting the changing effects of eroticism on the aging male. Yama no oto (Sound of the Mountain; 1954) looks at the Japanese extended family and Japanese business. The novel's main theme is the effects of aging on the protagonist , who believes he hears the mountains signalling his...

(The entire section is 49,211 words.)