Wuthering Heights by Emily Brontë

Wuthering Heights book cover
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History of the Text

Wuthering Heights’s Publication History: Compared to most Victorian novels, Wuthering Heights underwent an unusual publication history. First, it was not serialized in a magazine like many Victorian novels at the time. Second, its initial publication was haphazard and rushed, because Emily Brontë’s publisher wanted to capitalize on the popularity of Jane Eyre, which Charlotte Brontë had published a month beforehand. Finally, several key changes were made to the 1850 edition three years later—and not by Emily Brontë herself.

  • 1847 Edition: The first edition of Wuthering Heights was published under the pseudonym Ellis Bell. The novel was distributed as part of a three-volume set with Anne Brontë’s Agnes Grey by publisher Thomas Cautley Newby in 1847. Wuthering Heights occupied two volumes, while Agnes Grey occupied one. The novel sold very few copies, possibly owing to the dismal reviews it received. The success of Charlotte’s Jane Eyre may have influenced Cautley Newby’s decision to release Emily and Anne’s novels together in a single set of volumes. 
  • Charlotte Brontë and the 1850 Edition: In 1850, less than two years after Emily Brontë’s death, Charlotte Brontë edited the original manuscript of Wuthering Heights and released it as a second edition with Anne Brontë’s Agnes Grey. In her preface, Charlotte tries to convince readers that Ellis, Anton, and Currer Bell are not the same author—as was suspected, even after she addressed the rumors in the preface to the third edition of Jane Eyre. She goes on to reveal that Ellis, Anton, and Currer are in fact all sisters, and that they wrote under male pseudonyms because “we had a vague impression that authoresses are liable to be looked on with prejudice.”

Literary Predecessors and Influences: As a Victorian novel, Wuthering Heights was strongly influenced by gothic and Romantic literature.

  • Novel: By the time Brontë wrote Wuthering Heights , novels were immensely popular among the general public. Nevertheless, the novel as a form was still relatively new and considered inferior to serious and traditional literary forms, such as poetry and academic histories. However, novels, which sprang from medieval and early...

(The entire section is 683 words.)