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Analysis

(Masterpieces of Women's Literature)

Like all Flannery O’Connor’s fiction, Wise Blood is intended to articulate religious truths that O’Connor, writing from her faith as a Roman Catholic, took very seriously. Typically, she clothed those truths in comic, even satiric, pictures of the rural South and its inhabitants, the very world O’Connor lived in almost all of her life. O’Connor always protested the labeling of her comic characters as grotesque, claiming them to be realistic pictures of the people around her. Thus, her portrayal of Hazel Motes is both comic and serious, and Hazel’s journey embodies the novel’s central themes.

In a novel filled with people who make claims on religion, only Hazel Motes is truly serious about it, so serious that he feels compelled to deny religion until he is forced to face the truth. Throughout most of the novel, Hazel does everything he can to evade the truth that he finally faces. The most striking example is his “Church Without Christ,” with which he intends to demonstrate the irrelevance of the Christ his grandfather preached so intently. His denial is blocked at every turn, however, as people recognize that Hazel is somehow marked by God.

Even Hazel’s church is not spared; Hoover Shoates’s false claims about Hazel’s powers as a prophet are a mere attempt to extort money from passersby. In short, Shoates intends to corrupt Hazel’s “church” in exactly the same way that he would try to corrupt any other religious movement. Like most of the novel’s characters, he cannot imagine that anyone is serious about religion.

An important exception is Enoch Emery. In his desperate need for human contact, he is so willing to accept whatever Hazel says about himself or his church that he finds himself drawn into Hazel’s claims, almost without conscious awareness of what is happening to him. After stealing the mummy, Enoch somehow intuits that it must be the “new jesus” of Hazel’s anti-church. After he has delivered the mummy to Hazel, Enoch’s role is at an end. At that point, he is symbolically reduced from man to beast when, in one of the novel’s best comic scenes, he steals the gorilla suit from the actor who plays Gonga the Gorilla (Gonga has always been Enoch’s hero). The reader’s last view of Enoch shows him discarding his human clothing, evidently prepared to go through life as an ape.

The turning point in Hazel’s attempt to escape the Jesus who haunts him comes when he kills Solace Layfield, the “True Prophet” whom Hoover Shoates hired to retaliate against Hazel for refusing to let him use the Church Without Christ for his own profit. Shoates has given Layfield a suit of clothes that is identical to Hazel’s, and the message that he shouts from the curbside seems to people on the sidewalk to be identical to...

(The entire section is 751 words.)