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The Windhover

The main themes of "The Windhover" are the glory and majesty of the natural world and how nature points to and reflects the glory and majesty of God.

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The Windhover

In “The Windhover,” Hopkins uses images associated with royalty to express his sense of wonder at seeing a kestrel in flight. This king of the sky, one of nature's aristocrats, reminds readers in...

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The Windhover

The setting of Gerard Manley Hopkins' poem "The Windhover" is at dawn, as indicated by phrases like "dapple-dawn-drawn Falcon" and "morning's minion." Dawn often symbolizes new life and hope,...

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The Windhover

"The Windhover" shows a journey from the mundane to the spiritual in the flight and stillness of the windhover. Its flight is majestic and royal, but in its "buckling" or standing still, it achieves...

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The Windhover

Hopkins's concept of inscape states that each thing has a unified complex of characteristics that make it what it is. In gleaning the inscape of a thing, we see why God created it. In "The...

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The Windhover

In "The Windhover," the falcon is depicted as regal and grand, symbolizing Christ. The bird's ability to hover and resist strong winds reflects mastery and valor. The poem communicates admiration and...

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The Windhover

The adjective "blue-bleak" refers to embers. This description is used to explain how beauty can be found in unlikely places.

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The Windhover

The significance of the passage "Brute beauty and valour and act, oh, air, pride, plume, here / Buckle!" exemplifies the speaker's admiration of various attributes of the falcon. These lines employ...

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The Windhover

The poem "The Windhover" closely resembles a Petrarchan sonnet with 14 lines, an ABBAABBA rhyme scheme in the octet, and a CDCDCD pattern in the sestet, yet deviates slightly with its use of sprung...

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The Windhover

"The Windhover" by Hopkins employs special poetic language that is not typical of everyday conversation. Hopkins uses elaborate descriptions, such as referring to the falcon as "morning's minion" and...

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The Windhover

“The Windhover” is an address to Christ because the Crucifixion is central to the meaning of the poem, especially in the last six lines, the sestet.

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The Windhover

Both "Hawk Roosting" and "The Windhover" focus on birds of prey but present contrasting views of nature. "Hawk Roosting" by Ted Hughes, told from the hawk's perspective, depicts raw and ruthless...

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The Windhover

In the first four lines of Gerard Manley Hopkins's "The Windhover" and elsewhere in the poem, Hopkins uses sprung rhythm to represent the flight of the bird. Sprung rhythm involves alliteration,...

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