Moral fables would … loosely describe William Maxwell's short stories [in The Old Man at the Railroad Crossing]; the author calls them "tales," which is a better word, since these pieces have more in common with the world of legend and fairy tale than with the sophisticated art of the modern short story as it is generally practiced. Not that Mr. Maxwell is unmodern; many of his seemingly artless pieces effectively turn on the problem of identity and other hot contemporary issues: The total effect is of something midway between the Brothers Grimm and Kafka, with perhaps a touch of Zen. I found the whole collection odd, charming, repetitious, and with rather too calculated an air of uplift and inspiration. (p. 24)