How would you describe Sylvia's relationship with the stranger in A White Heron?

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Sylvia’s relationship with the stranger is a strange mixture of companionship and rivalry. Sylvia is a shy child, and so she is afraid of the stranger at first, but after spending some time with him in nature, she comes to have a child-like crush on him. Jewett writes,

But as the day waned, Sylvia still watched the young man with loving admiration. She had never seen anybody so charming and delightful; the woman's heart, asleep in the child, was vaguely thrilled by a dream of love.

This passage shows that Sylvia has such strong admiration for the stranger that it could bud into Romantic love if she were not such a young child. Being so young and shy, she does not present herself as an equal companion to the stranger in how she behaves. As they traverse together, she does not start conversations with the stranger, but only answers them briefly, and she does not lead him through the forest—even though she could, for she is quite adept at wandering through nature and finding birds. Instead, she follows him. Sylvia seems compliant and useful to the stranger until the end when she refuses to give up the white heron.

At the end of the story, Jewett says that had she told, Sylvia “could have served and followed him and loved him as a dog loves.” The implication is that if Sylvia had demonstrated loyalty to the sportsman instead of to the white heron and her other bird friends, she might have lost the connection to nature that makes her part of it. She came from town, but since coming to the farm, she has become so part of the surrounding nature that her grandmother brags to the stranger of her intuitive connection to nature. She says, “There ain't a foot o' ground she don't know her way over, and the wild creaturs counts her one o' themselves. Squer'ls she'll tame to come an' feed right out o' her hands, and all sorts o' birds.” The story also uses description to make it seem as if she is a part of nature itself. Like nature, she is quiet. In the tree, she is at one moment a star, and the next a bird. As she watches from the tree top, “Sylvia felt as if she too could go flying away among the clouds.” Sylvia admires the stranger, but cannot understand is how the stranger could kill the birds he professes to love, and in the end, because she is more like the birds than the stranger, she disappoints him by being loyal to nature and herself.

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Sylvia’s feelings towards the stranger change through the story. At first, she is unnerved by the “aggressive” whistle which pierces the forest and is reminded of a boy who frightened her when she lived in the city.

She is also curious of the stranger: Sylvia and her grandmother do not see many people. She listens as her grandmother tells him of her skill with animals, and her attention in his bird collecting is aroused when he offers ten dollars for the location of the nest of the elusive white heron.

Sylvia is excited as she walks in the forest with the stranger, and she is greatly pleased with the gift of the jack knife. She finds a new passion developing in her, a womanly desire to please.

Despite her plan to reveal the secret of the nest to the stranger, her loyalty to her woodland counterparts prevents her from doing so. She remains a child of nature rather than a woman of the world.

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What is a description of Sylvia's relationship with the stranger in "A White Heron"?

When the "woods-girl" first hears the tall young man, she is terrified as the "enemy" has discovered her. Then, when the ornithologist asks her how far it is to the road, it is with a trembling voice that Sylvia answers him. However, her initial fears are overshadowed by a certain infatuation with this handsome man. And, she finds herself in a paradoxical situation: on the one hand, the "woman's heart" has been awakened in her with her meeting with the handsome ornithologist and she finds herself admiring him lovingly; on the other hand, this sylvan creature in harmony with the innocent beings of nature cannot understand how he can bring down out of the free sky some "unsuspecting singing creature." 

Nevertheless, in her unreasoning new emotions she does consider helping the young man locate the white heron:

What a spirit of adventure, what wild ambition! What fancied triumph and delight and glory for the later monring when she could make know the secret! It was almost too real and too great for the childish heart to bear.

Interestingly, in the narrative of the latter part of the story, Jewett refers to Sylvia, not longer by name, but by the common noun of "child" until the paragraph in which the girl withholds her information, having changed her mind about revealing to the ornithologist the whereabouts of the white heron:

But Sylvia does not speak after all, though the old grandmother fretfully rebukes her, and the young man's kind, appealing eyes are looking straight in her own.

Thus, it is at this point that a change has occurred in the "child," and she has matured and placed her values back into perspective. For, she cannot betray what she has loved longer than the young man, what has brought her life away from the stultifying crowded manufacturing town to this "beautiful place to live in [from which] she never should wish to go home."

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