The first of this story’s ten numbered sections provides an overview of a land in transition from summer to fall, as a cool wind cuts through the warm “khamsin” wind. The focus then cinematically changes to Sashka writing at his desk and then to his daughter Galila showering and thinking about an invitation from Matityahu Damkov to visit his room to inspect gifts of artists’ supplies and a pattern requested by Damkov from his cousin Leon in South America.
Sunset spreads over the plain and the kibbutz, overtaking the older, first-generation kibbutzniks (residents) still on their deck chairs. Damkov leaves his room to go to the communal dining hall. Damkov’s body is described, along with his present and former occupations on the kibbutz. Again the story’s roving point of view shifts, this time to Damkov’s worries about whether Galila will accept his invitation.
Kibbutznik behavior at the dining hall is described, including communal discussions and division of the newspaper, as well as Tanya’s complaints to the kibbutz work organizer and then to Damkov about his overdue repair of a lock. As night falls on the kibbutz, generators keep electric searchlights going, and a wary jackal cub is caught in one of the steel traps laid around the kibbutz. The circles of the plowed fields and lights flow into a description of the opposition between the inner circle of founding kibbutzniks, symbolized by the circle of light around Sashka at his...
(The entire section is 514 words.)