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Hal Borland’s When the Legends Die, published in 1963, immerses the reader in two worlds, that of the wild West and that of wild nature, two topics with which Borland was quite familiar. Written in 1963, around the height of Borland’s writing career, the story follows a young Native American boy as he struggles not only with the rite of passage to manhood but also with the harsh realities of the clash of his native culture and the modern white society. Having been raised in the traditional ways of his Ute ancestors, the protagonist of the story must first learn the “new ways” of the white people who dominate his world before he can create a clear identity of who he is and where he fits in his environment.

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The novel was well received and eventually was produced by Twentieth Century Fox as a movie in 1972. When the Legends Die is often compared to Jack London’s Call of the Wild (1914), which takes up the theme of the wilderness, and Conrad Richter’s The Light in the Forest (1953), which deals with the clash of cultures in the West. All three books explore rite of passage or coming of age themes, and all three were produced as movies.

The story of Thomas Black Bull, the protagonist of Borland’s novel, is one of constant transformation as a young boy searches for an identity. Symbolizing this most clearly is the fact that, throughout the story, Thomas’s name is changed several times. He receives the name Little Black Bull from his parents, which is changed to Thomas Black Bull when a white minister baptizes him. Then, as he nears puberty, Thomas gives himself the name of Bear’s Brother. When he becomes popular on the rodeo circuit, his fans dub him with the moniker Killer Tom. As he works out his frustration and anger from losing his parents before reaching puberty, being forced to enter a school to learn white society’s ways, being used by swindlers and crooks as well as by people who need heroes, Thomas tries on many personas, but, in the end, he finds his way back home and is finally able to define his own identity.


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When the Legends Die may be Borland's most celebrated book, for good reason. In it, he tells the story of a boy who takes a long time to come to grips with the realities of his life. Raised in the "old ways" of the Ute Indians, American culture is alien to him when he is tricked and captured and forced to attend a reservation school after living alone in the wilderness for nearly two years. As an early adolescent, he already was set in the ways of the Utes before they were absorbed into America's culture. After many travails, he becomes a great rodeo star. This is where many young adult novels would end, but in When the Legends Die, Borland shows how the experiences of the boy's youth play themselves out in a man who is famous and admired, but who is nonetheless angry all the time and hateful toward others. His eventual rediscovery of the old ways and his mainly reconciliation of his past with the realties of American life is grand and profound.


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Part I: Bessie
When the Legends Die begins in the company town of Pagosa, Colorado, where the protagonist’s father, George Black Bull, a Native American of the Ute tribe, works at a sawmill. George enters the scene running. He is being sought after because he has killed Frank No Deer, a common thief. George is afraid that he will be put in jail, so he tells his wife where he is going in the wilderness and tells her to follow him after dark. His wife, Bessie, when asked by the sheriff if she knows where her husband is, denies knowing. As she waits for nightfall, Bessie thinks back on how she and her husband and son ended up in Pagosa. Then, in the middle of the night, she packs a few belongings, wakes her young son, and takes a circuitous route to the location of the planned...

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