Florence (1949), the debut play by Alice Childress, centers around two women waiting at a train station. Through Mama's interactions with other characters, the play uncovers the essence of racial discrimination. It also delves into fundamental assumptions about how society treats women and the elderly.

In Wine in the Wilderness (1969), another work by Alice Childress, the play investigates the experience of being a black American in a segregated and racist environment. It addresses several themes also explored in Wedding Band, such as single motherhood and the limited opportunities available to black men.

A Raisin in the Sun (1959) by Lorraine Hansberry similarly tackles issues of segregation, racism, and the scarcity of economic opportunities for black Americans. The integration of minority families into white neighborhoods remains a significant issue nearly forty years after the play's debut.

Toni Morrison's novel, The Bluest Eye (1970), explores the challenges of growing up black and female in America. Morrison examines the impact of white beauty standards on young black girls and delves into the dynamics of relationships between black and white women.

Maya Angelou's autobiography, I Know Why the Caged Bird Sings (1970), recounts her childhood in rural Arkansas. Readers are confronted with the harsh realities of racism and segregation as the author navigates these experiences, while also highlighting the essential role of family in shaping the black experience.

In Search of Our Mothers' Gardens (1974) by Alice Walker is an autobiographical essay emphasizing the significance of matrilineage in the development of a young black girl.

The Color Purple (1982), another work by Alice Walker, provides a fictional perspective on the impact of segregation and racism on black communities. Both the novel and its 1985 film adaptation celebrate the resilience and strength of black women.