Watch on the Rhine

by Lillian Hellman

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Critical Overview

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Lillian Hellman’s Watch on the Rhine emerged at a pivotal moment in history, capturing the conscience of an America on the brink of World War II. The play opened on April 1, 1941, just months before the attack on Pearl Harbor, as the United States grappled with its potential involvement in the European conflict. It has been celebrated for its timely political themes, resonant character portrayals, and Hellman’s commitment to antifascist ideals.

A Timely Production

When Watch on the Rhine debuted, the United States had not yet entered the war, but the national climate was charged with anticipation and concern over the events unfolding in Europe. The Lend-Lease Act, passed in March 1941, signaled American support for European nations resisting Nazi aggression. Hellman’s play, which won the New York Drama Critics Circle Award in 1941, tapped into the zeitgeist by addressing these anxieties directly.

Hellman, known for her activism against fascism, had extensively researched European social movements and the precursors to the war. Her knowledge and experiences informed the play's narrative, allowing her to craft a piece that resonated deeply with audiences and critics alike. The play was praised as a "vital, eloquent and passionate" depiction of an American family suddenly confronting the global threat to liberty.

Critical Reception and Themes

The play’s success on Broadway was underscored by its engaging structure and compelling themes. Critics lauded Hellman's characterizations, noting the depth and relatability of her protagonists. Brooks Atkinson of the New York Times suggested that the play would hold significant meaning in future years when people reflected on the era's challenges.

Hellman, facing her own political scrutiny during the era, imbued her work with questions of culpability and moral responsibility. These themes were particularly prescient given her later appearance before the House Un-American Activities Committee (HUAC). Critics like Pat Skantze highlighted the nuanced dialogue and character dynamics, particularly the interactions between Kurt Muller and the rest of the family, as central to the play’s impact.

Complex Characters and Dialogue

Hellman's characters in Watch on the Rhine are memorable and multifaceted. Skantze emphasized the "subtlety and liveliness" of the dialogue, noting how Fanny’s witty repartee and the children's mature perspectives contributed to the play's richness. The decision-making process regarding Teck’s murder was portrayed as a natural evolution of the characters’ shared commitment to antifascism.

Kurt Muller, in particular, was crafted with passion and admiration. His portrayal as a principled and courageous individual made him a powerful spokesman for human rights and liberty. By making Kurt a German national, Hellman was able to offer a unique perspective on Nazi Germany, providing a nuanced critique from an insider’s viewpoint.

The Play's Legacy and Criticisms

Despite its acclaim, some scholars have critiqued the play for its melodramatic elements and perceived simplicity in addressing international crises. Critics like George Freedley suggested that Hellman cluttered the play with subplots that detracted from its core message. Bernard F. Dick noted that the work resembled the era’s espionage films in its portrayal of Nazi conspiracies, albeit with a sincere foundation in Hellman’s personal convictions.

However, even those who noted its flaws acknowledged that Watch on the Rhine combines the best of Hellman's strengths, with a gripping narrative and resonant political message. The play’s ability to blend a character-driven story with a powerful antifascist agenda cemented its place as one of the most significant American dramas of the time.

Beyond a Political Statement

Hellman’s intentions transcended mere political critique; she sought to challenge American complacency and isolationism. Through the character of Fanny and her household, Hellman highlighted the dangers of passivity in the face of encroaching evil. As Hellman revised early drafts of the play, she chose to portray Kurt not as a communist but as a universal symbol of resistance, emphasizing the broader human struggle against totalitarianism.

The play’s enduring significance lies in its ability to evoke both the urgency of its time and timeless questions about moral duty and resistance. By focusing on a family’s awakening to global threats, Watch on the Rhine remains a compelling exploration of personal and societal responsibility.

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