Investigate the following three subjects: the French Resistance during the German occupation of France in World War II, Beckett's personal involvement in that Resistance movement, and interpretations of Waiting for Godot that suggest Beckett uses the play to reflect on his wartime experiences.

Examine the production of Waiting for Godot at San Quentin penitentiary in November 1957 and discuss how unsophisticated audiences can comprehend and respond enthusiastically to Beckett's play under such conditions.

Identify moments in the text of Waiting for Godot that are overtly humorous. Then, locate instances where the humor is subtler yet still profound. Additionally, research the concept of "black humor" and describe the type of humor you find in Waiting for Godot.

Investigate as many different productions of Waiting for Godot as possible and classify what these productions reveal about differences in presentation and interpretation. Afterwards, describe the features of a production you would undertake.

Compare the Existentialist and Christian interpretations of the play and determine which one you believe is more faithful to the text Beckett wrote.