Themes and Meanings
As the last line of the poem suggests, “Waiting for the Barbarians” is about a state of mind as much as it is about an actual event. Although the setting would seem to be in a later phase of the Roman Empire, the city is not identified, the emperor is not named, no specific historical event is evoked, and the speakers themselves are less individuals than they are the voices of a civilization, of a certain habit of mind, of what might be termed decadence.
The civilization described in the poem is obviously in decline, no longer having the energy to renew itself. Not only does the senate not meet, not only does the emperor take his position at the city gate and function as no more than a figurehead, but even the orators (who merely have to create speeches, not perform deeds) cannot arouse themselves, rationalizing their inactivity by claiming that the barbarians are bored by speeches. Such lack of faith in the power of words is the ultimate in decadence, in an attitude that suggests nothing is really worth doing.
The barbarians, then, hold out a kind of solution to the decadent, for the barbarians are presumed to be energetic, to prefer action over talk. The irony is that this conception of the barbarians is itself a projection of a decadent civilization, which imagines that a more primitive people will provide a vitality that the civilization lacks. The barbarians, notice, are presumed to be somewhere beyond the borders of the city, comfortably far enough away so that the populace can imagine being saved (rejuvenated) by an outside force, untainted by urban corruption.
The odd thing about the poem is that there seems to be absolutely no fear of the barbarians. If they represent all that is antithetical to this well-developed city, why is it that an invasion does not provoke anxiety, at the very least? It seems clear the citizens and their leaders have nothing to lose, that the very trappings of civilization mean nothing to them in a state where neither individual nor collective achievement is possible any longer. What the barbarians are being offered, in other words, is the shell of a civilization. It is a community weary of itself that has lost any sense of purpose and awaits a new force to give it direction.
Without barbarians, the first speaker finally realizes, the city must confront itself and find its own solution. The real anxiety the poem expresses, therefore, is internal. The city has exhausted itself and seeks an external means of revival. As long as it can project beyond its limits to the...
(The entire section is 657 words.)