Volpone’s house (vohl-POH-nay). Home of the Venetian magnifico, whose name means “fox.” With an outer gallery or waiting room for dupes and a dazzling treasure cache, piles of gold, plate, and jewels hidden behind the rear-stage curtain, Volpone’s house is a handy location for storing the rich gifts of solicitous visitors. When guests are present, the drawn curtains hide this shrine to wealth, and the foxlike Volpone stretches out on his sickbed in gown, furs, and nightcap, as his servant, Mosca, ushers in the assorted base creatures.
Hiding places are important to this set, for Bonario must observe Volpone’s revelation of ardent passion unseen, just as Voltore must overhear Mosca and Corbaccio. Curtains close around Volpone on his couch as Mosca at a desk inventories the supposed inheritance of hopefuls.
Corvino’s house (kohr-VEE-noh). Home of a Venetian merchant, near St. Mark’s Place. The location attracts pickpockets, con artists, and schemers of every stripe. Corvino’s wife Cecelia looks down from a balcony, which opens into a room in Corvino’s house where he chides her. In front of the house, Mosca and a servant erect a stage for a medicine vendor to display his wares, and a disguised Volpone mounts the platform and haggles over high-priced quackery.