Virginia Woolf Criticism
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Woolf, Virginia (Short Story Criticism)
- Introduction
- Principal Works
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Criticism
- Glass Breaking: Later Fiction
- Virginia Woolf's ‘The Mark on the Wall’: An Einsteinian View of Art
- The Point of ‘Slater's Pins’: Misrecognition and the Narrative Closet
- A Conflict of Closure in Virginia Woolf's ‘A Mark on the Wall’
- Stories about Storymaking
- Brownean Motion in ‘Solid Objects.’
- The Snail and The Times: Three Stories ‘Dancing in Unity.’
- Lesbian Modernism in the Shorter Fiction of Virginia Woolf and Gertrude Stein
- The Gender of Atheism in Virginia Woolf's ‘A Simple Melody.’
- Sexing the Epiphany in ‘Moments of Being,’ Woolf's Nice Little Story about Sapphism
- Prologue: ‘The Journal of Mistress Joan Martyn’ and Wordsworth's Guide to the Lakes.
- Incongruities; or, The Politics of Character: Departures
- Woolf's Early Experimentation with Consciousness: ‘Kew Gardens,’ Typescript to Publication, 1917-1919
- An Unfinished Story: The Freshwater Drafts of ‘The Searchlight.’
- The First Orlando: The Laugh of the Comic Spirit in Virginia Woolf's ‘Friendships Gallery.’
- What ‘It’ Is About: The Implicit in Virginia Woolf's Short Fictions
- Tales of Abjection and Miscegenation: Virginia Woolf's and Leonard Woolf's ‘Jewish’ Stories
- Maps, Globes, and ‘Solid Objects.’
- ‘These Ghost Figures of Distorted Passion’: Becoming Privy to Working-Class Desire in ‘The Watering Place’ and ‘The Ladies Lavatory.’
- Further Reading
- Special Commissioned Essay on Virginia Woolf, Philip Tew