Victorian Illustrated Fiction

Victorian Illustrated Fiction Criticism

• Introduction
• Representative Works
• Criticism: Overviews And Development
  • The Tradition of Comic Illustration from Hogarth to Cruikshank
  • Illustrious Victorians
  • The Relation between Illustration and Text in the Victorian Novel: A New Perspective
• Criticism: Technical And Material Aspects Of Book Illustration
  • Wood Engraving, 1850-1900
  • The Explosion in Popular Publishing
• Criticism: Charles Dickens And His Illustrators
  • Dickens, Hablôt Browne, and the Tradition of English Caricature
  • Bleak House and Victorian Art and Illustration: Charles Dickens's Visual Narrative Style
  • Dickens and Cruikshank as Physiognomers in Oliver Twist.
  • Furniss, Dickens and Illustration: Parts One and Two
  • Cruikshank's Illustrative Wrinkle in Oliver Twist's Misrepresentations of Class
• Criticism: William Makepeace Thackeray
  • Thackeray's Editors and the Dual Text of Vanity Fair
  • Pictures as Metaphors in Thackeray's Illustrated Novels
• Criticism: George Eliot And Frederic Leighton
  • ‘The Listening Look’: Visual and Verbal Metaphor in Frederic Leighton's Illustrations to George Eliot's Romola
  • George Eliot v. Frederic Leighton: Whose Text Is It Anyway?
• Criticism: Lewis Carroll And John Tenniel
• Further Reading