Ray Bradbury gained critical acclaim early in his career, with the publication of The Martian Chronicles. This was an unusual situation because Bradbury was writing in the science fiction genre, a genre not usually very well-respected among the literary elite. Despite this, he was able to break through the prejudice and win many admirers. As Willis E. McNelly states in Voices for the Future,
Ray Bradbury, hailed as a stylist and a visionary by critics such as Gilbert Highet and authors such as Aldous Huxley and Christopher Isherwood, remained for years the darling, almost the house pet, of a literary establishment other wise (sic) unwilling to admit any quality in the technological and scientific projections known as science fiction.
In fact, it was Isherwood’s praise of The Martian Chronicles that first propelled Bradbury into the limelight and helped him find a wider audience of dedicated fans.
Bradbury followed this success with the publication of The Illustrated Man, another book that showcased his talent for writing in the short story format. The Illustrated Man was popular with critics and casual readers alike and has continued to be one of Bradbury’s most influential works. As Robin Anne Reid notes in her book Ray Bradbury: A Critical Companion, The Illustrated Man “is widely considered one of Bradbury’s strongest works.” “The Veldt” has been a particularly popular story from the collection as evidenced by the fact that it was chosen for inclusion in the 1969 feature film and the stage play that Bradbury himself adapted from the book.
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