Ideal room. Perhaps the most frequent reference to place in the novel alludes to a room that the narrator wishes for, in contrast to the room in which he perceives himself to be. His “ideal” room would be doorless, even windowless, with nothing but its six surfaces. It could be dark black. To the narrator, the room would be “home,” a home that he would “find a way to explore.” The narrator has trouble with motion, however, and has no idea how he might get around in his ideal space to do his exploration. He would like to put himself in the room: a “solid lump, in the middle, or in a corner, well propped up on three sides.”
Narrator’s habitat. The narrator speaks of existing in what can only be described as space with no boundaries. He speaks of feeling “no place, no place around me” and conveys the sense that there is “no end” to him. His sense of a lack of “end” is not to be understood that he has a body that is in some sense huge or infinite. He seems to have no sense of limits. His experience of self is an existence in endless time and space. Nevertheless, he has memories of the sea under his window and a rowboat, as well as a river, a bay, stars, beacons, lights of buoys, and the mountain burning.
The narrator’s meandering among these memories of disparate places cannot be taken at face value because soon he denies their validity. For...
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