In UNITED STATES, Gore Vidal has gathered two-thirds of the scores of essays, observations, articles, and polemics he has published since 1952. The collection will delight readers who appreciate an attentive observer. Vidal, whose use of language is unsurpassed in contemporary American literature, writes in a modern fashion reminiscent in style and tone of Montaigne and Addison: a direct, conversational approach to the reader in which even the most serious subject is approached with wit.
In an author’s note, Vidal points out that his essays, although composed over nearly half a century, fall into three categories: literature, or the state of the art; politics, or the state of the union; and memories, or the state of being. This book gathers his reports on those three states—united.
There are few, if any, critics now practicing who can match Vidal’s ability to consider the true nature of a work of literature, assess its relative success in achieving its goals, and explain this to the reader in a clear, nontechnical language. Certainly the “hacks of academe,” as Vidal gleefully labels the campus critics, cannot accomplish this feat; nor, as Vidal shrewdly notes, do they wish to, for the ideal academic novel is meant to be taught, not read. As for the dwindling realm of actual readers, Vidal stoically accepts that, with a few exceptions, the ephemeral best-seller has triumphed, and the world grown gray with its breath. However, those...
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