Characters
Although Smith interviewed about 175 people in her research for Twilight: Los Angeles, 1992, in the published work containing their monologues she includes just under a third of them. In any given performance of her play, she further limits the number of persons depicted but had included some who are not in the published work. An example is Maria, Juror #7 in the second Rodney King trial, who was interviewed and added to the Mark Taper Forum production of the play two weeks after it opened. Another example is the opera diva Jessye Norman.
There is actually no set cast of characters in Twilight: Los Angeles, 1992. As she deems appropriate, Smith selects the cast from her gallery of choices both to fit her specific audience and her artistic aims of the moment.
Theresa Allison
The founder of Mothers Reclaiming our Children (Mothers ROC), Theresa Allison
is also the mother of gang-truce negotiator Dewayne Holmes. She explains that
her organization started after the killing of her nephew, Tiny, who was shot in
the face. She speaks of the unjust system, and her belief that Tiny was
actually shot by officers dressed as gang members, two of whom she calls
"Cagney and Lacey." She recalls the day of the shooting as looking "like the
crucifixion of Jesus." It was a day, too, that changed some happy people to
"hurting people." She goes on to tell how her son, Dewayne, was arrested and
how she and her friends surrounded the police cruiser, fearful that the cops
wanted to kill him. He was set free but was marked thereafter and was
eventually picked up and sentenced for a crime that Theresa insists he did not
commit.
Anonymous man
An unnamed white juror in the first Rodney King trial, this soft-spoken man
breaks into tears as he recalls his ambivalent feelings about the verdict and
its aftermath. He speaks of the personal confusion and the threats on his life.
Most agonizing was a letter received from the KKK offering the jurors its
support and extending an offer of membership. That invitation shamed the man
and left him remorseful.
Twilight Bey
A slight, graceful young black, Twilight Bey is a member of the Crips gang and
one of the organizers of the truce between the Crips and the Bloods, a rival
gang. He speaks very confidently of his youth, as a community "watchdog," and
of the significance of his name as indicating that he has "twice the knowledge
of those my age." He relates his name to the idea of limbo, as somehow being
caught in a place ahead of his time, and he talks about what he sees at night,
the drug-addicted "walking dead'' and the young kids beating up elderly people
at bus stops. He is also the titular character of the play, partly because what
he says about limbo—a place between darkness and understanding—is an
appropriate thematic metaphor for the entire work.
BigAlSee Allen Cooper
Elaine Brown
A woman in her early fifties, Elaine Brown is the former head of the Black
Panther Party and author of A Taste of Power. She grieves over the fact
that the protesters took to the street with no plan, just rage. She says that
commitment must be based "not on hate but on love," and that change cannot be
brought about by a "piss-poor, ragtag, unorganized, poorly armed" and "poorly
led army."
Allen Cooper
A large, ex-gang member and former convict, Big Al is an activist in the nation-wide trace movement. He offers a defensive litany on life in the LA...
(This entire section contains 2224 words.)
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ghetto, where even a bubble gum machine packs a gun and nothing spells trouble 'til the black man gets his hands on it." He repeatedly says, "You gotta look at history, baby." He sees the African American as victim, and questions whether Reginald Denny might have driven his truck into the black neighborhood as an ''intimidation move."
Reginald O. Denny
Reginald Denny, the white truck driver beaten and shot at during the LA riot,
describes what little he remembers of the experience. He is "upbeat" and
"speaks loudly." He admits to being unaware of the King verdict and its
aftermath until visitors came to speak with him at the Daniel Freeman Hospital.
He talks about Jesse Jackson, Arsemo Hall, and the four people who rescued
him—Titus, Bobby, Terry, and Lee—with whom he feels "a weird common thread in
our lives." He describes what he has seen on video tapes and what his rescuers
have told him. He talks about a room in a future house that will be a memorial,
"a happy room," one where "there won't be a color problem." Denny seems hopeful
and remarkably free of bitterness.
Sergeant Charles Duke
Sergeant Charles Duke is a member of the LAPD Special Weapons and Tactics Unit
and a defense witness in both trials of the officers who beat Rodney King. Duke
explains that Officer Laurence Powell mishandled his baton while beating Rodney
King, making his blows weak and ineffective. He laments that "upper-body
control holds'' were outlawed in 1982 as inhumane, even though they provided a
better method of subduing suspects on drugs. He relates, too, that he had tried
to find alternatives to the use of batons but was rebuked for his efforts. He
believes that Chief Daryl Gates wanted to provoke a law suit to prove that the
City Council and Police Commission had made a mistake in banning older choke
holds techniques.
Elvira Evers
Elvira Evers is a Panamanian woman, who, during the rioting, while pregnant, is
shot and taken by ambulance to St. Francis Hospital. Doctors operate to trace
the bullet's course and deliver her baby girl via Caesarean section. The baby
has the bullet lodged in her elbow, but it is successfully removed. Describing
the events, Elvira remains remarkably unemotional.
Daryl F. Gates
Daryl F. Gates, Chief of the LAPD during the rioting, attempts to explains his
absence from his post after the verdict in the first Rodney King trial. He was
meeting with a group opposed to Proposition F, but claims to have been in
constant contact with his office. He admits that he should have left
immediately, but doubts that his presence in LA would have mattered. "I should
have been smarter," he confesses, but primarily because he gave his critics
ammunition to use against him. He resents having become "the symbol of police
oppression in the United States," and finds it very unjust.
Mrs. Young-Soon Han
A Korean immigrant and former owner of a liquor store, Mrs. Han angrily remarks
on the treatment and status of Korean Americans. She bitterly argues that black
Americans fare better, and then talks of justice and violence. Although she
wishes that Asians and blacks could live together, she sees "too much
differences'' preventing community peace and harmony—a fire that "can burst out
anytime."
Angela King
Angela King, the aunt of Rodney King, in a relatively long monologue, relates
her unsettled family life to the film Carmen, starring Dorothy Dandndge
and Harry Belafonte. She discusses her closeness with her brother, Rodney's
father, recalling childhood anecdotes. She explains that they were raised
without racial hatred and that now she seeks justice for the beating of her
nephew. She is particularly upset by the defendants' lack of remorse and the
efforts of the authorities "to make you look bad to the people." She is
convinced her phone is tapped but that there is nothing she can do about
it.
Maria
Juror #7 in the second Rodney King trial, Maria, a lively black woman, gives an
account of her fellow jurors, whom she mercifully parodies as "brain-dead." She
gives hilarious description of the group's interactive workings as they strive
to cooperate in their joint litigation as jurors.
Julio Menjivar
A native of El Salvador, Julio Menjivar is a man n his late twenties. A
bystander, he describes the arrival and behavior of the National Guard during
the unrest, claiming that guardsmen almost shot his mother, sister, and wife,
then rounded the residents up and hauled them by bus to jail. He describes his
fright, his prayers, and his unhappiness with having a criminal record.
Paul Parker
Paul Parker, the Chairperson of the Free the L. A. Four Plus Defense Committee,
argues that the defendants charged with attacking Reginald Denny were
victimized because it was a black-on-white affair, and that the authorities
would go "any extremes necessary" to gain a conviction. He takes intense pride
in his African-American heritage, and warns that as long as there is no justice
for blacks, there will be no peace for whites.
Rudy Salas, Sr.
Rudy Salas, Sr., a sculptor and painter, is a large man of Mexican descent.
Partly deaf, he wears a hearing aid in both ears. His deafness resulted from a
police beating back in the 1940s. Rudy retains hatred for "gringo" policemen
and other whites, whom he refers to as "my enemy.'' He calls the feeling
"insanity," and knows it is a waste, but he can not help it. He is convinced
that whites fear "people of color," and he relishes their discomfort. He
indicates that his hatred has been fortified by the experiences of his
sons.
Second anonymous man
This well-dressed, handsome man, an unidentified Hollywood agent, starts out by
remarking that the anticipated unrest from the King trial verdict did not at
first dampen his "business as usual" activities. He noted the gossip and
tension among his white, upper-middle class associates, but panic did not set
in until the rioting began, when the flight of working whites from downtown LA
lacked only "Godzilla behind them.'' He admits that the verdict was unfair, and
that he started to "absorb a little guilt." He was saddened by the television
coverage showing people destroying their own neighborhoods.
Katie Miller
A big black woman with a powerful voice, Katie Miller claims that the looters
and vandals in Koreatown were not blacks but Mexicans. Although she did not
engage in looting, she went "touring" with friends after the rioting. She is
sarcastic and very angry with local newscaster Paul Moyer because he called the
looters of an I. Magnin store "thugs." She is outraged because the media seem
to suggest that looting in the poor sections of LA was vindicated, but not in
"a store that rich people go to."
Stanley K. Sheinbaum
Stanley K. Sheinbaum, former president of the LA Police Commission, is
seventy-three, with "the smile and laugh of a highly spirited, joyous, old
woman." He speaks in two monologues In the first, he talks of "these curious
people," the gang members at a truce meeting he had witnessed with
Congresswoman Maxine Walters. He is troubled by the assumption that the gangs
are always the enemy, and that he must be on a side that prevents
understanding. In the second monologue, he recalls driving downtown after the
King verdict and seeing a black woman driving on the freeway holding a hammer
in her hand, which spelled "trouble." He recalls encountering Chief Daryl Gates
leaving the police garage as he arrived, then being inside LAPD headquarters
when the first rock came through a plate-glass window.
Judith Tur
A ground reporter, Judith Tur gives a running commentary on the beating of
Reginald Denny as video taped from a helicopter by John and Marika Tur, She
describes the event as "like being in a war zone," and becomes very angry at
the "real brave men" who beat and tried to shoot Denny. She tells of her own
hard life to explain why she has little sympathy for the rioters, who, she
charges, are "really taking advantage."
Maxine Waters
Maxine Waters is a U. S. Representative from the 35th District in California,
representing South-Central LA. She is an "elegant" woman and powerful orator.
She vents her anger with Washington's insensitivity to inner-city problems and
describes how she crashed an exclusive White House meeting on the issue to
speak her mind to President Bush.
Henry Keith Watson
One of the L.A. Four accused in the attack on Reginald Denny, Keith Watson,
twenty-nine, escaped punishment when acquitted in the subsequent trial in
October of 1993. Defending his anger and the burning and looting of the
rioters, he says that "justice didn't work."
Cornel West
A scholar, Cornel West relates the civil turmoil to analogous issues, including
the frontier and the gunfighter and the "deep machismo ethic" of a "gangsterous
orientation" seen in the character of Sylvester Stallone's Rambo and rap music.
He argues that blacks are "playing exactly the same game," attempting to
"out-brutalize the police brutality." He notes that black women remain
subjugated because of the machismo and laments the end of the Black Panther
movement and the loss of the "internationalism and multiracialism'' that it
represented. He maintains that "conservative forces" have held the civil rights
movement in disarray.
Elaine Young
An experienced realtor, Elaine Young has sold many homes to Hollywood stars.
She has also received publicity because of her problems with silicone implants.
During the rioting, fearful of being alone, she goes to the Beverly Hills
Hotel, staying until early morning on three consecutive days. After being
interviewed at the Polo Lounge, she receives an accusative letter from a man
who calls her "a dumb shit bimbo'' for her flippant lack of concern over the
unrest. That clearly upsets her.