Themes: The Joys and Perils of Revelry

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The theme of revelry is introduced by the play’s title, Twelfth Night. Twelfth Night refers to the twelfth day after Christmas. This was originally a religious holiday that celebrated the Epiphany, but by Shakespeare’s era, the holiday had taken on a new role as a night of revelry. On the Twelfth Night, the world was turned upside down: chaos reigned and costumed merrymakers filled the streets, drinking, singing, and playing pranks.

True to its title, Twelfth Night is filled with festivities and antics, which range from harmless fun to cruel trickery. Sir Toby, Sir Andrew, and Fabian are the prime revelers, committed to drink, song, dance, and pranks. They are joined by Maria, who provides the intelligence and organization of the group, and sometimes by Feste, whose wisdom does not prevent his participation but does provide him with a more ironic view of revelry. Feste knows how foolish the behavior is, but that does not stop him from joining in.

The group’s primary prank is on Malvolio, who is the enemy of revelry. If the rigid and self-righteous Malvolio had his way, Sir Toby and his companions would be deprived of their “cakes and ale” and all their fun. To get even with the grim and scolding steward, Sir Toby, Maria, and the others devise their prank. Maria writes a fraudulent love letter, purportedly from Olivia, whose instructions are designed to make Malvolio look like a fool.

The prank, however, does not end there, for the pranksters move beyond harmless taunting and mere silly embarrassment to actually locking Malvolio up in a dark house as a madman. Revelry, the play implies, can become dark and dangerous if unchecked. Malvolio is no longer taunted but rather tortured, and he might truly have gone mad if the prank had not been exposed. Indeed, the play shows that revelry has its limits and its consequences, some of which are highly unpleasant.

Expert Q&A

The role and significance of music in "Twelfth Night"

Music in "Twelfth Night" plays a significant role in enhancing the play's themes and emotions. It underscores the romantic and melancholic aspects, reflecting characters' inner feelings and the overall mood. The use of songs and musical interludes deepens the audience's engagement and understanding of the narrative, making music an integral part of the play's atmosphere and storytelling.

What is the meaning of "Carpe Diem" in Shakespeare's Twelfth Night?

In Twelfth Night, "Carpe Diem" means "seize the day" and emphasizes the fleeting nature of love, youth, and beauty. Feste, the fool, advises lovers to cherish the present moment because youth and love are temporary. This theme is evident in his song, which urges immediate enjoyment and affection, as the future is uncertain and delaying only wastes precious time.

The role of Feste and other comic characters in Shakespeare's Twelfth Night

In Twelfth Night, Feste and other comic characters serve to provide humor and critical commentary. Feste, the fool, uses wit to expose the follies and pretensions of the other characters, while also offering insightful observations. These comic elements balance the play's romantic and melancholic tones, enriching the overall narrative and highlighting themes of disguise, identity, and love.

In "Twelfth Night," what does Olivia mean when she says "sad and merry madness are equal"? What connection does she establish between madness and festivity?

In "Twelfth Night," Maria, not Olivia, states "sad and merry madness are equal." She uses this phrase to highlight the contrast between Malvolio's misguided antics, which are "sad" because they alienate Olivia, and her own "merry" madness from successfully pranking him. This connection between madness and festivity underscores the play's theme of mistaken identities and the fine line between joy and folly, blending humor with elements of sympathy for Malvolio's plight.

The figurative masks worn by characters in Twelfth Night

In Twelfth Night, characters wear figurative masks to conceal their true identities and emotions. Viola disguises herself as Cesario to navigate her new environment, while others, like Malvolio, mask their true ambitions and desires. These disguises drive the play's plot and create dramatic irony, as the audience is aware of the characters' true identities while the other characters are not.

Why does Shakespeare use food and hunting as love metaphors in Twelfth Night?

Food and hunting are used as metaphors for love because both food and sexual desire are pleasurable, sensual activities. Since both eating and sexual activity are sensual activities, having an appetite for food is often likened with an appetite for romance, making food a common metaphor for love.

What examples in Twelfth Night show miscommunication leading to confusion, heartbreak, and humor?

Miscommunication in "Twelfth Night" leads to confusion, heartbreak, and humor, notably through Olivia's unrequited love for "Cesare," who is actually Viola in disguise. Olivia's infatuation with the fictional Cesare creates comedic tension as Viola struggles with her own feelings. Similarly, Malvolio's misguided belief that Olivia loves him, based on a forged letter, results in his public humiliation, as he follows absurd instructions, like wearing yellow stockings, to win her favor.

Analyze the following quote from Twelfth Night:

My master loves her dearly;

And I, poor monster, fond as much on him;

And she, mistaken, seems to dote on me.

What will become of this? As I am man,

My state is desperate for my master's love;

As I am woman,--now alas the day!--

What thriftless sighs shall poor Olivia breathe!

O time! thou must untangle this, not I;

It is too hard a knot for me to untie!

This passage from Act II, Scene 2 of Twelfth Night reveals Viola's internal conflict as she navigates a love triangle involving herself, Orsino, and Olivia. Viola, disguised as Cesario, reflects on the theme of appearances versus reality, noting the complications arising from her disguise. She acknowledges her hopeless love for Orsino and Olivia's misguided affection for her male persona, realizing the situation's complexity is beyond her ability to resolve, leaving it to time to untangle.

How does a character's action in "Twelfth Night" illustrate the theme "Troubles come and go. Don't take things too seriously."

In "Twelfth Night," the theme "Troubles come and go. Don't take things too seriously" is illustrated through Viola's reaction to the shipwreck. Despite believing she lost her brother, she quickly adapts by disguising herself as a man to find work, reflecting resilience and acceptance of life's ups and downs. Similarly, Malvolio's rise and fall from grace show that social positions and fortunes are temporary, reinforcing the transient nature of troubles.

In Shakespeare's Twelfth Night, why do characters prank Malvolio?

In "Twelfth Night," characters prank Malvolio because of his arrogance and self-importance. As a steward to Countess Olivia, he acts above his station, dreaming of marrying her to increase his status. His serious demeanor and disdain for revelry irritate others, especially Sir Toby and Maria. To humiliate him, Maria devises a prank exploiting his vanity, tricking him into wearing ridiculous attire, such as yellow stockings and crossed garters, falsely believing Olivia desires it.

In "Twelfth Night", how does Shakespeare balance entertainment and seriousness?

Shakespeare balances entertainment and seriousness in "Twelfth Night" by juxtaposing comedic elements with underlying tragic tones. The practical joke on Malvolio is humorous for the audience and other characters, but it highlights Malvolio's humiliation and isolation, adding a serious layer to the comedy. While others dismiss his plight as "sportful malice," Malvolio's vow for revenge underscores the emotional depth and consequences of the humor, blending comedy with poignant themes.

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