1. What is the major theme of the play?
2. With whom is the Duke in love?
3. In what kinds of poetry does the Duke express his love?
4. Is it entirely true that the Duke is “in love with love”?
5. What type of metaphor does the Duke use when he addresses the “spirit of love”?
6. What is the subtitle of the play?
7. Toward what does the title Twelfth Night orient the reader?
8. What recreation does Curio ask the Duke about?
9. What is “Twelfth Night”?
10. What kind of part does love play in the festival atmosphere of the play?
1. Love is the major theme of the play.
2. The Duke is in love with Olivia.
3. The Duke’s poetry contains metaphors, puns, synesthesia, and similes.
4. No, it is not completely true because the Duke is clearly in love with Olivia, a specific person.
5. He uses a metaphor drawn from falconry when he addresses the “spirit of love.”
6. The subtitle of the play is “What You Will.”
7. The title orients the reader toward the playful and festive atmosphere of the action.
8. Curio asks the Duke if he is going hunting.
9. “Twelfth Night” is a holiday and occasion for merriment.
10. Love plays an important part as the characters meet and pair off.
1. Where do we first meet Viola?
2. What happened to Viola’s brother?
3. What kind of nature does Viola have?
4. What does Shakespeare imply about love in his shift of thematic emphasis?
5. What device does Viola use to get into the Duke’s service?
6. Is it clear what Viola wants to achieve in the Duke’s service?
7. How does Shakespeare symbolize Viola’s practical side?
8. Is Twelfth Night the only play that involves a character putting on a disguise?
9. What other significant Shakespearean theme does Viola state?
10. What image that the Duke employs does Viola also use?
1. We first meet Viola on a seacoast.
2. He was separated from Viola when the ship sank.
3. Viola has a practical nature.
4. Shakespeare implies that there’s more to love than mere poetry.
5. Viola uses the disguise device to get into the Duke’s service.
6. No, it is not clear as yet what Viola’s specific goal is.
7. Shakespeare symbolizes Viola’s practical side by having her offer money in payment for favors to her.
8. No, Shakespeare has used disguised characters in other plays.
9. Viola states the theme of “appearances versus reality.”
10. Viola repeats the music image of the first scene.
1. Do we meet Olivia in this scene?
2. What is Sir Andrew’s relationship to Sir Toby?
3. What did Maria hear about Sir Andrew’s purpose for being in the house?
4. What does the presence of Maria and Sir Toby as characters imply?
5. Who brings in a note of competition to the scene?
6. Does Sir Andrew seem an appropriate suitor for Olivia?
7. What else do Sir Toby and Sir Andrew illustrate in the play?
8. How does Shakespeare reveal Sir Toby’s free spirit?
9. What is “ploce”?
10. What type of imagery does Sir Toby introduce at the end of the scene?
1. No, we do not meet Olivia in this scene.
2. They are friends.
3. Maria heard that Sir Toby brought him to the house to woo Olivia.
4. They imply that love is for all kinds of people, no matter what their status is.
5. Sir Andrew brings in a note of competition.
6. No, the scene leaves us with the impression that Sir Andrew may not be an appropriate suitor for Olivia.
7. Sir Toby and Sir Andrew illustrate the party-and-fun atmosphere, as implied in the title’s holiday.
8. Shakespeare reveals Sir Toby’s free spirit through the language.
9. “Ploce” is the repetition of a word in a different sense.
10. Sir Toby introduces a succession of “dance” images.
1. What is Viola’s male name?
2. What task does the Duke assign Cesario?
3. For whom does Cesario feel love for?
4. To what genre does the play Twelfth Night belong?
5. What kind of an ending do we expect in comedy?
6. What kind of vision does comedy have, according to Northrop Frye?
7. What is the community of Illyria doing about the Duke’s love?
8. How does the Duke respond to Cesario’s doubts that Olivia is too “abandoned to her sorrow” to listen to his suit?
9. Does the Duke change?
10. What does Orsino display at the end of the scene?
1. Viola’s male name is “Cesario.”
2. The Duke assigns Cesario the task of pursuing Olivia for him.
3. Cesario feels love for the Duke.
4. Twelfth Night belongs to the genre of “comedy.”
5. We expect a happy ending in comedy.
6. Comedy’s vision has a social significance.
7. The community in Illyria is well aware of and talking about the Duke’s love.
8. The Duke tells him to “be clamorous and leap all civil bounds.”
9. The Duke’s impassioned stance toward Olivia changes slightly.
10. Orsino displays common sense at the end of the scene.
1. What does Maria threaten the Clown with?
2. What kind of attitude does the Clown evidence toward Olivia?
3. What does the Clown try to prove about Olivia?
4. What is the name of Olivia’s steward?
5. What does Olivia put on before speaking with Cesario?
6. Who falls in love with whom in this scene?
7. What do the two love twists we’ve witnessed suggest?
8. Which character serves to emphasize the subjective nature of “love” ?
9. In what manner are the Clown’s insults couched?
10. That type of metaphor does Cesario use to lend emphasis to the great love the Duke holds for Olivia?
1. Maria threatens the Clown with punishment for his absence.
2. The Clown evidences an offhand attitude toward Olivia.
3. The Clown tries to prove that Olivia is a fool.
4. Malvolio is Olivia’s steward.
5. Olivia puts on a veil before speaking with Cesario.
6. Olivia falls in love with Cesario.
7. The love twists suggest just how subjective is the experience of love.
8. The Clown’s speech emphasizes the subjective nature of “love.”
9. The Clown’s insults are couched in a jarringly logical manner.
10. Cesario uses an extended theological metaphor to reflect the Duke’s great love.
1. What is Antonio’s occupation?
2. What relation does Sebastian hold to Viola?
3. What does Sebastian think has happened to Viola?
4. Where do Antonio and Sebastian find themselves in this scene?
5. What purpose does this scene serve?
6. How would you characterize the style of the dialogue?
7. Where does Sebastian say he is headed?
8. What does Antonio want to do for Sebastian?
9. Name one source for Twelfth Night.
10. Essentially, what do the sources and the play Twelfth Night have in common?
1. Antonio is a sea captain.
2. Sebastian is Viola’s brother.
3. Sebastian thinks that Viola has drowned.
4. They find themselves on Illyria’s shore.
5. The purpose of this scene is to inform us about Viola’s twin brother.
6. The style is one of formal, straightforward prose.
7. Sebastian says he is headed for Orsino’s court.
8. Antonio wishes to serve Sebastian.
9. The sources for Twelfth Night are Gl’Ingannati, Bandello, and Riche.
10. The sources have the four essential characters and the plot in common with Shakespeare.
1. Why does Malvolio seek Cesario?
2. Whose ring is it?
3. What kind of speech is it that Cesario utters?
4. What does Malvolio emphasize to Cesario?
5. Where does Malvolio put the ring?
6. What does Cesario feel about the ring?
7. Who has fallen in love with Cesario?
8. What does Cesario wonder in the latter part of the soliloquy?
9. What motif does Cesario repeat in his soliloquy?
10. What is the critics’ attitude toward Malvolio?
1. Malvolio seeks Cesario to give him a ring.
2. It is a ring from Olivia.
3. Cesario utters a soliloquy....
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1. What does going to bed after midnight mean for Sir Toby?
2. What does Sir Andrew call Feste the Clown?
3. What ability of the Clown does Sir Andrew compliment?
4. What do Sir Toby and Andrew offer to Feste for his singing?
5. What two types of songs does the Clown suggest?
6. What does the Clown’s song define?
7. In keeping with the holiday tradition, what title can we apply to Sir Toby?
8. What plot is hatched in this scene?
9. What is Maria’s motive for the scheme?
10. What does Maria plan to drop in Malvolio’s way?
1. For Sir Toby, going to bed after...
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1. What is the first item the Duke requests?
2. Who is not immediately available to sing the song?
3. What kind of a lover does Orsino classify himself as?
4. What does the Duke surmise about Cesario?
5. According to the Duke, does the age of the man in a relationship matter?
6. What does the Clown’s song focus on?
7. Who does the Clown insult?
8. Where does Cesario go once again?
9. What warning does Cesario give to Orsino about Olivia?
10. In what does the lover of the Clown’s song wish to be laid?
1. The Duke requests some music.
2. The Clown is...
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1. Who is Fabian?
2. What is his motive for tricking Malvolio?
3. Who has worked out the scheme?
4. Where will the spectators of the device hide?
5. What does Malvolio fancy himself?
6. What kind of intention do Sir Toby and Andrew evidence by their remarks?
7. In whose handwriting supposedly is the letter that Malvolio finds?
8. What four letters in the letter lead Malvolio to believe it is addressed to him?
9. What is the source of imagery used by Sir Toby, Andrew, Maria, and Fabian to characterize Malvolio’s situation?
10. From whom is Malvolio alienated?
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1. What instrument is the Clown holding?
2. Where does the Clown say he lives by?
3. Why is the Clown upset with words?
4. Rather than Lady Olivia’s fool, what does Feste claim to be?
5. What does Cesario praise while waiting for Olivia?
6. Who declares love in this scene?
7. What is Olivia’s response to Cesario’s wooing for the Duke?
8. Between what two characters does Shakespeare establish a kinship?
9. What happens when wise men act foolishly?
10. According to Herschel Baker, what do the characters lack?
1. The Clown is holding a tabor.
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1. What is Sir Andrew getting ready to do?
2. On whom does Andrew see Olivia bestow her affection?
3. What is Fabian’s explanation for that favoritism?
4. What element does Fabian think will stir Olivia’s passion?
5. What idea does Sir Toby come up with to help Sir Andrew?
6. What task does Sir Toby assign Sir Andrew?
7. What does Sir Toby not plan to do, though?
8. In what manner does Sir Toby hail Maria?
9. How does Maria describe Malvolio’s absorption in the letter?
10. What role does Sir Toby continue to play well?
1. Sir Andrew is getting ready to...
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1. What does Sebastian say he will not do to Antonio?
2. Where do they meet?
3. What encouraged Antonio to keep up with Sebastian?
4. How does Antonio describe the area they’re in?
5. What does Sebastian desire to do in Illyria?
6. Why does Antonio have to decline Sebastian’s offer to see the town?
7. What does Sebastian reckon Antonio has done?
8. What does Antonio say he is guilty of?
9. Who is the missing link in the love strands?
10. With what character does Sebastian have a similar thematic function?
1. Sebastian says he will not chide him.
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1. How is Olivia feeling at the opening of the scene?
2. What does Olivia commend about Malvolio?
3. What influence sways Malvolio’s mind as he speaks with Olivia?
4. In what words does Malvolio try to dismiss Sir Toby when he enters?
5. What does Sir Toby indicate his attitude toward Malvolio will be when the trick is done?
6. What does Sir Andrew return with?
7. How receptive is Cesario to Olivia’s love?
8. With what news does Sir Toby alarm Cesario?
9. What does the knowledge of Sebastian’s existence make of this scene?
10. How can we characterize Malvolio’s dialogue with Olivia?...
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1. How does Sebastian react to Feste?
2. What does Sebastian tell the Clown to vent elsewhere?
3. Who tells the other to abandon his pretense?
4. Who fights in this scene?
5. When the Clown sees the fray, what does he do?
6. Who breaks up the fight?
7. How does Olivia characterize Sir Toby’s behavior?
8. To whom does Olivia issue an invitation?
9. How does Sebastian respond to Olivia’s invitation?
10. What does Maurice Charney say about Feste’s mind?
1. Sebastian dismisses the Clown.
2. Sebastian tells the Clown to vent his folly elsewhere....
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1. What two articles does Maria give the Clown?
2. Whom does she want Feste to play?
3. What label does Sir Topas greet Malvolio with?
4. What kind of room is Malvolio in?
5. What are the two sources of light in that room?
6. How does Malvolio perceive himself?
7. What items does Malvolio request from Sir Topas?
8. What kind of test does Malvolio ask for?
9. Why does Sir Toby feel compelled to put a stop to the trick?
10. What image in the scene suggests the cruelty of Maria and Sir Toby?
1. Maria gives the Clown a gown and a beard.
2. Maria wants Feste...
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1. Why is the garden an appropriate setting for this scene?
2. What does Sebastian try to come to terms with?
3. What does the rapidity of the love match prevent us from obtaining?
4. What gift has Olivia given Sebastian?
5. Whom does Sebastian wish to speak with?
6. Does he accept or reject Olivia’s love?
7. What skill of Olivia’s does Sebastian praise?
8. What plans has Olivia made?
9. Who has she brought to carry out those plans?
10. What is the key symbolic element of this scene?
1. It is appropriate because a wedding is about to take place.
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1. Whose letter does Feste refuse to show Fabian?
2. With what disparaging term does the Clown refer to himself and Fabian?
3. Whom does Antonio think Cesario is?
4. Why does Olivia call in the priest?
5. What has happened to Sir Andrew?
6. What does Sebastian’s presence signal?
7. Whom does Malvolio cast blame on in his letter?
8. With Olivia and Sebastian being the first couple, who make up the second couple?
9. Who make up the third pairing?
10. What satisfaction does Malvolio want for the trick?
1. Feste refuses to show Malvolio’s letter.
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