Discussion Topic
Viola's Interview in Twelfth Night
Summary:
In Shakespeare's Twelfth Night, Viola's disguise as a boy named Cesario is central to the play's themes of deception and identity. Hypothetical interview questions for Viola might explore her reasons for disguising herself, what she learned from the experience, and her feelings during key moments, such as her duel with Sir Andrew. Viola's interaction with Olivia reveals her cleverness as she gains entry to Olivia's house despite her mourning. Olivia, intrigued by Cesario's wit, ultimately falls in love with Viola, unaware of her true identity, highlighting the unintended consequences of deception.
What questions would you ask Viola in an interview about Shakespeare's Twelfth Night?
When trying to think of questions to hypothetically
ask Viola, it helps to consider things like her
characterization and especially why she is
important to the play and how Shakespeare uses her.
What is Shakespeare trying to show through her character?
One thing we know about Viola that's central to the story line is she
disguises herself as a boy. We also know from the play that
Shakespeare uses her disguise to show the underlying consequences of
deception. We especially see the consequences portrayed when Viola
realizes that Olivia has fallen in love with her. Viola contemplates how, just
like Olivia is breaking Orsino's heart, Viola will inevitably also have to
break Olivia's. Hence, she sees just how much havoc the act of
deception can cause, as we see in her line, "Disguise, I see, thou art
a wickedness" (II.iii.26). Hence, knowing that Shakespeare decided to disguise
Viola for a reason, and knowing that Viola also learned something from her
disguise, one legitimate question to pose would certainly be:
- What did you learn from disguising yourself as a boy?
We can also contemplate Viola's personal reasons for deciding to disguise herself and ask something like:
- Why did you decide to disguise yourself as a boy?
We can also analyze her characterization by considering things she learned from certain moments in the play. For example, the moment Sir Andrew challenges her to a duel was a particularly trying time for her. Hence, we can wonder if at that moment she wished she had not followed through with her plan to hide her true identity by pretending to be a boy servant and asking something like:
- Was there a moment when you wished you had never decided to disguise yourself as a boy servant?
We can also contemplate the things she learned in the moment that Sir Andrew challenged her, such as bravery and perseverance, and ask something like:
- What did you learn about yourself the moment that Sir Andrew challenged you to a duel?
Hence we see that by contemplating what Shakespeare is showing through Viola's characterization and even Shakespeare's overall points and messages, we can easily think of questions that relate to Viola.
References
What occurred during Viola's interview with Olivia in Twelfth Night?
Olivia’s basic premise is that Orsino doesn’t really know her and has no reason to pursue her. She tells Viola that she only got in because she was “saucy” at the gate and Olivia was curious.
Viola is able to get in the door by being stubborn. Olivia is not seeing anyone, because she is in mourning for her father and brother. Viola will not take “no” for an answer though, and Olivia wants to know more about this unusual young man at her gate.
Viola is pretending to be Cesario, a young man, and she is in the employ of Orsino. Orsino is in love with Olivia, but she won’t see him, so he sends Cesario/Viola. Viola’s cleverness gets her into the house. However, then she has to match wits with Olivia.
Viola tries to start the speech she has prepared, based on Orsino’s script, but she has trouble at first figuring out which lady is Olivia, and then Olivia is veiled. Viola asks her to show her face.
OLIVIA
Have you any commission from your lord to negotiate
with my face? You are now out of your text: but
we will draw the curtain and show you the picture.
Look you, sir, such a one I was this present: is't
not well done? (Act 1, Scene 5)
The conversation continues along this vein. When Viola tells her she is beautiful and should not be keeping herself from the world, Olivia says that she has no problem with her beauty, and will “give out divers schedules” of it. Viola accuses her of being proud. Olivia explains that Orsino can’t really love her without knowing her.
OLIVIA
Your lord does know my mind; I cannot love him:
Yet I suppose him virtuous, know him noble,
Of great estate, of fresh and stainless youth;
In voices well divulged, free, learn'd and valiant;
And in dimension and the shape of nature
A gracious person: but yet I cannot love him;
He might have took his answer long ago. (Act 1, Scene 5)
In the end, of course, Olivia falls in love with Cesario instead of Orsino. She enjoys the matching of wits. She surprises even herself by falling for him. Viola doesn’t realize this until Malvolio brings her the ring, a ploy to get Cesario to come back. Viola then realizes that Olivia loves her as Cesario, and she feels sorry for her, even though she loves Orsino.
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References