Article abstract: Eliot, perhaps the most significant of the new wave of Symbolists of the 1920’s, startled the world of poetry and spoke for a lost generation in The Waste Land, engaged literary critics with his landmark book of criticism, The Sacred Wood, and wrote the most successful verse play of the twentieth century, The Cocktail Party.
Although Thomas Stearns Eliot was born in and lived his early life in St. Louis, his family was so New England in its outlook that it can hardly be identified as Midwestern. Eliot’s grandfather, William Greenleaf Eliot, was a Unitarian clergyman whose religious zeal brought him to St. Louis in 1834, shortly after graduation from Harvard’s Divinity School. He founded a Unitarian church in St. Louis and then went on to establish three schools, a poor fund, and a sanitary commission in the city. His crowning triumph, however, was in founding Washington University in 1872.
Eliot was the youngest of seven children, one of whom died in infancy. His sister Abigail was nineteen when Eliot was born, his only brother, Henry, nine. Eliot’s parents, Henry Ware and Charlotte Champe Stearns Eliot, were in their forties when their last child was born. They had been married for twenty years. The father was president of the Hydraulic-Press Brick Company. Both of Eliot’s parents lived in the shadow of the renowned grandfather. Eliot’s father suffered the guilt of not having become a clergyman. Charlotte Eliot, an accomplished person by most standards, believed that she was a failure because she had not attended college and because her verse, written mostly for friends but occasionally published in local newspapers, had brought her no recognition. Charlotte was not comfortable around infants, so during Eliot’s early years, a nurse looked after him.
The family spent summers in Gloucester, Massachusetts, at Eastern Point, the summer home Eliot’s father built in 1896. Eliot knew early that regardless of where he lived, he was a New Englander. Although he was a Unitarian as well, his nurse had exposed him to services in the Roman Catholic Church, to which she belonged. In 1927, the year Eliot became a British subject, he was also confirmed in the Anglican Church.
Eliot received a solid classical education at Smith Academy in St. Louis. In preparation for his entrance to Harvard in 1906, Eliot attended Milton Academy in Massachusetts. At Harvard, he finished his bachelor’s degree in three years. Eliot stayed on from 1909 to 1914 as a graduate student in English and philosophy. Following the lead of Arthur Symons’ The Symbolist Movement in Literature (1899), Eliot read the French Symbolists, especially Jules Laforgue, in whose literary tracks he followed.
Awarded a Sheldon Travelling Fellowship in 1914, Eliot planned to travel on the Continent, then to take up residence at Merton College, Oxford, to write his thesis on F. H. Bradley. In July, 1914, he went to Marburg, Germany, for a summer program in philosophy but left after two weeks because war was imminent. He married Vivien Haigh-Wood in 1915. Eliot, five feet, eleven inches tall, was handsome and slender, although stooped, sallow, and sad-eyed. Always meticulously dressed and polished, he fit easily into British life. He visited the United States only occasionally after 1915.
Shortly after Eliot arrived in England from Marburg, his Harvard classmate, Conrad Aiken, introduced him to Ezra Pound, who became the most influential literary influence in Eliot’s life. Pound identified “The Love Song of J. Alfred Prufrock,” written on Eliot’s first trip to Europe in 1910-1911, as the poem most likely to establish Eliot’s literary reputation. Pound persuaded Harriet Monroe to publish the poem in Poetry, which she did, in June, 1915. Subsequently, Eliot’s poems appeared often in Poetry. In 1917, his first book, Prufrock and Other Observations, was published in London.
At thirty, Eliot had two...
(The entire section is 5,275 words.)