I, Too, Speak of the Rose

by Emilio Carballido

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Announcer

As the vibrant ringmaster of the scene, he launches into an exuberant soliloquy, weaving tales of the rose, its petals, and mystical fibers. With theatrical flair, he challenges an unseen audience to ponder the essence of what makes a rose truly a rose.

Candy Vendor

With a sly grin and a pocketful of sweets, he revels in the thrill of the gamble, deftly outsmarting Polo and Tona, and gleefully pocketing their coins when luck falls in his favor.

Female Student

A fellow academic, she watches with a twinge of jealousy as the children take action that resonates far and wide, wishing she too could make such a rippling impact.

First Female Scavenger

Engaging in playful banter with the male scavengers, she skillfully gathers provisions from the derailed train. Yet, a shadow of worry looms as thoughts of police discovery and accusations of theft cross her mind. Later, she joins the revelry with her scavenger companions at the refuse heap.

First Male Scavenger

He implores Tona for coins to quench his thirst, yet soon stumbles upon a treasure trove of food in the train wreckage. He races to spread the word amongst friends and family, and a feast ensues, fueled by the newfound bounty and vibrant camaraderie.

First Professor

With an air of superiority and meticulousness, he dissects events through a Freudian lens, imposing his interpretations on Tona and Polo's actions with unyielding conviction.

Gentleman

Upon catching wind of the news, he shakes his head in disapproval, labeling the children as savages.

Maximino Gonzalez

At nearly twenty-three, Maximino works in a garage, extending a protective hand over Tona and Polo. His generosity is as boundless as his ambition to resurrect an old motorcycle. Despite defending his girlfriend against Tona's jibes, he finds himself swayed by Tona's admiration, though his kindness never falters as he frets over Tona's negative influences in jail.

Lady

Drawn to the allure of sensationalist headlines, she casts a harsh judgment, viewing the impoverished as inherently criminal and beyond redemption.

Male Student

An academic in the throes of discovery, he reads the tale of the train's mishap, deeming it "wild."

The Medium

Cloaked in ever-shedding layers of ethereal garments, the Medium graces the stage with a mere four appearances, each more luminous than the last. Her musings drift far from the central narrative, beginning with a soliloquy on her interconnectedness with the world. She brings forth old scientific illustrations, poetically discussing animals, casting warnings about goldfish, and praising butterflies. Later, she spins a tale of two brothers' dreams, seemingly unrelated yet deeply interwoven into the play's tapestry. In her final act, she draws a conclusion of startling originality, linking the disparate threads into a cohesive whole.

Newsboy

With boundless energy, he bursts onto the stage, hawking the day's headlines. His presence—or mere voice—intermittently punctuates scenes, each time reframing the tale of the derailment. As the play unfolds, his newspapers transform, culminating in ancient parchment inscribed with hieroglyphics when he reveals the deeper truth.

Paca

Tona's sister, Paca, finds herself tasked with babysitting as her mother visits Tona. She observes the event and its media coverage with a trace of amusement and sends a cherished pin to her sister.

Don Pepe

A Spaniard and proprietor of Maximino's workplace, Don Pepe exudes kindness and empathy, allowing Maximino to visit his newly imprisoned friends.

Polo

Much like his friend Tona, fourteen-year-old Polo grapples with the shame of poverty, dreading the school inspections for polished shoes he cannot wear. His ingenuity sees him fending for himself, pulling coins from phone booths, only to lose them in games of chance. Despite his...

(This entire section contains 1174 words.)

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losses, he remains untroubled, for he started with nothing. His impromptu act of placing a cement-filled tub on the tracks was not premeditated, and his calm in the aftermath speaks to his innocence.

Polo's Mother

When she visits him in jail, her primary concern is her job security, overshadowed by her son's infamy. She chastises him for following in the footsteps of his father, only to turn her criticism inward for having spoiled him.

A Poor Boy

Upon discovering an overturned train car, he is seized by the desire to pilfer its contents. He sets off in search of sacks to transport the food.

A Poor Girl

Trepidation grips her as she and the boy contemplate taking from the tram, yet reassurance that they are unobserved emboldens her to seize food and seek assistance.

A Poor Man

Conflicted by the act of taking from the forsaken train, he nonetheless aids a poor woman with her sacks. The necessity of food—corn and beans—trumps legal considerations in his mind.

A Poor Woman

She is faced with the moral dilemma of scavenging from the derailed train, but the need for sustenance—corn and beans—overrides her hesitations.

Tormented by guilt, she wrestles with her conscience, convincing herself that her actions don't amount to theft because no guard stands watch over the train. Despite her inner turmoil, she fills sacks with goods and hauls them away. Driven by the bounty she's discovered, she eagerly shares the news with her family.

Second Female Scavenger

Amidst the dancing flames at the dump, she gathers with fellow scavengers to savor their shared meal and drink, finding companionship in their makeshift circle.

Second Male Scavenger

As part of the scavenger group at the dump, he takes the opportunity to engage in playful banter with the women, enjoying both their company and the spoils they've gathered.

Second Professor

This professor, with a more relaxed approach to his attire and demeanor, views the world through a lens tinted by his Marxist economic ideals. He perceives the tram derailment and the children's actions as manifestations of their social awareness and as a powerful political statement.

Teacher

Unyielding and stern, she seizes upon the train derailment to enforce discipline and proper conduct within her classroom.

Tona

Tona, a twelve-year-old Mexican schoolgirl, lives under limited parental oversight and scant financial resources, yet she has an abundance of time to spend with her friend. She nonchalantly skips school, misjudged by the press as delinquent, though at heart she is merely a typical girl seeking friendship and play. Her bond with Polo is peppered with playful disputes and mutual blame when plans go awry, yet her heart remains generous, often sharing her bus fare and money with scavengers. Harboring a crush on Maximino, her affection surfaces through teasing remarks about his motorcycle and girlfriend. She cherishes a photograph of him, longing for his autograph to adorn her mirror. Her spirits lift when she discovers he carries her newspaper photo. Tona finds her cellmates strikingly authentic and captivating, a stark contrast to her usual acquaintances.

Tona's Mother

Struggling to raise her children alone under the weight of poverty, she finds herself perplexed by recent events, battling to find time to visit Tona in prison. Distrustful of the guards and the system, she frets over her daughter's missed education.

Woman Peddler

Amidst the bustling scene, she peddles food, artfully preparing jicama with chile for the eager children.

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