Ford's play can be interpreted as a critique of the corruption prevalent in the court and among courtiers during his era. Examine the play's themes and characters within the framework of late-Renaissance history. What insights do you think Ford provides about the politics of early-seventeenth century Britain? What are his views on contemporary kingship, love, and ethics?

Some readers perceive Giovanni and Annabella as freely choosing to engage in their incestuous relationship, while others, including Giovanni himself, believe they are destined to do so. Do you think the lovers' actions stem from free will or determinism? Provide evidence from the play to support your stance.

Although the lovers' actions might be deemed condemnable, there is room to empathize with their situation. They appear to inhabit a world devoid of ethical values, where family, court, and church are corrupt and avaricious. In such an unethical environment, where can individuals turn to determine what is right and wrong and how to lead their lives?

It can be argued that Ford's dramatic literary style mirrors the baroque style found in the fine arts of his period. Researching the art history of that era will uncover numerous examples of these stylistic similarities. You might start with artists such as Bernini, Caravaggio, and Gentileschi. Compare their artistic visions with Ford's.

How do Ford's depictions of incest align with contemporary accounts? Consider researching psychologists or sociologists who work with sexually abused children and compare their findings with those presented by Ford. In what ways does he offer an accurate portrayal? What significant details might he overlook?