Thomas the Rhymer was a real thirteenth century figure, Thomas Learmont from Erceldoune, near Melrose in the Scottish borders. He is also the subject of the eponymous ballad, found in many variants in The English and Scottish Popular Ballads by Francis J. Child (1882-1898, reprinted 1965). Ellen Kushner clearly has done serious research into both these aspects and is reliable in both the names and the feeling of the times.
The most effective part of her preparation is her representation of the ballads. Kushner has distilled a style that is lucid and poetic and adds credibility to her narrative. Employing four narrators is not intrinsically easy to maintain, nor does it aid continuity. Nevertheless, Kushner’s narrators have distinctive tones and rhythms. She also respects their unities without destroying the thread of the plot; much happens offstage, but none of it is vital. These four are superbly realized characters into whom much careful observation, shown in domestic details as well as crises, has been built. After the escape from Elfland and the winning of Elspeth, the narrative force inevitably dips, but the depth of the characterization prevents any loss of interest.
Ballads are judiciously selected and woven into the narrative as examples of Tom’s craft and to make dramatic or ironic points. An example is the use of “Tam Lin,” with its tale of elf abduction and rescue by a fertile mother; this is the duet that an older...
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