Places Discussed
Umuofia
Umuofia (oo-moh-FEE-uh) is an area in southeastern Nigeria, comprising nine villages, where the Umuofia clan live. Umuofia is the Igbo word for “people of the forest.” The word village is a loose translation of a complicated concept in Igbo society and is used in Things Fall Apart to represent both the nine villages and the larger area; thus, the village of Umuofia comprises nine villages.
In Umuofia at the end of the nineteenth century, homes are mud huts set in compounds. Each of the villages is advised by a male elder, and the nine elders meet to make decisions for the clan. The center of village life is the market. Okonkwo is known throughout Umuofia for his strength and his success in warfare, unlike his father, who also came from Umuofia. He is not an elder and has no official status as a leader, but he is relied upon as a man of action and he hopes one day to become a leader. In his father’s village, a male-dominated society, Okonkwo knows his place and the place of his wives and his children. For him, social order is bound up in tradition and home.
When Okonkwo returns to Umuofia after seven years in exile, he finds that the Christian missionaries have made several changes. New buildings—a church and a courthouse, for example—have appeared in the village, representing new ideas and rules. For Okonkwo, the physical changes in the village symbolize the erosion of the Igbo culture—the things that are falling apart.
Okonkwo’s compound
Okonkwo’s compound is the home of Okonkwo and his immediate family. Okonkwo has a hut for himself and one for each of his three wives, a barn, and several yam fields, all enclosed in a red mud wall. None of this was inherited from his father, Unoka, who never prospered. Okonkwo has built up his wealth and his property through his own hard work and the work of his family.
When it is determined that Okonkwo must be banished from Umuofia, men storm his compound dressed as they would be for a war. They burn Okonkwo’s buildings, kill his animals, and tear down his red walls. They do not do this out of anger or hatred (in fact, Okonkwo’s closest friend is one of them), but simply because a man’s land is inseparable from him and to purify the village, they must remove every trace of the offender. Okonkwo understands and accepts his punishment.
Mbanta
Mbanta (m-BON-tuh) is Okonkwo’s mother’s village, just beyond Mbaino, where Okonkwo spends his seven years of exile. In his motherland, he is immediately accepted, and his relatives give him land and fields to begin a new life. As Uchendu the elder explains, “A man belongs to his fatherland when things are good and life is sweet. But when there is sorrow and bitterness he finds refuge in his motherland.”
Mbaino
Mbaino (m-BI-no) is a village bordering on Umuofia. Umuofia and Mbaino are traditional enemies. When a young woman from Umuofia is murdered at the market in Mbaino, Umuofia threatens a war of vengeance. Rather than face a war with the stronger Umuofia, Mbaino sends a young man (Ikemefuna) and a young virgin girl as payment. Throughout the story, Mbaino is referred to as a place where the people are weaker and less just and the crops are poorer than in Umofia.
Abame
Abame (ah-BAH-may) is a neighboring village where the white man on an “iron horse” is killed. After the people of Abame kill the white man, they are attacked by European soldiers. Many of the Abame clan are killed, and...
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the rest are scattered. Crops and fish die. It is the end of the clan, for without their land, the clan cannot endure.
Great River (Niger River)
The Great River (Niger River) is West Africa’s largest river, rising in Guinea and flowing generally east before turning southward to flow through Nigeria. For Umuofia, the Great River represents all that is far away and mysterious, since any travel over large distances would be by water. The missionaries establish their base at Umaru, on the Great River, because they are people who are not of the land and who will not stay in one place. They do not value land or land ownership, because they look to Heaven rather than to Earth.
Literary Style
Tragedy
Things Fall Apart narrates the dual tragedies of Okonkwo, a respected warrior, and the Igbo tribe, to which he belongs. In literature, a tragedy typically depicts the fall of a significant individual due to a flaw in their character. Okonkwo’s flaw is his uncontrollable anger, and his personal tragedy unfolds when he is exiled for accidentally killing a young tribesman. Upon his return, he finds his tribe drastically changed. The Igbo’s collective downfall results from one culture being overpowered by another, with their tragedy rooted in their abandonment of their tribal gods.
Setting
Things Fall Apart takes place in Umuofia, a tribal village in Nigeria, Africa. The story is set in the late 1800s, a time when English bureaucrats and missionaries are first arriving in the region. The novel highlights the historical conflicts between European colonizers and the African people they sought to convert and dominate. By situating the story at the onset of this period, Achebe emphasizes the initial cultural clash. This setting also enhances the stark contrast between the time Okonkwo leaves and returns to his village, which has become almost unrecognizable due to the changes brought by the English.
Conflict
In Things Fall Apart, the Igbo people flourish in Umuofia, adhering to their ancient rituals and customs. However, the arrival of the white man disrupts this harmony, as he disregards the Igbo's values and imposes his own beliefs, laws, and religious practices. Some weaker tribesmen are swayed by the white man’s influence, creating divisions within the clan. Initially, these deserters are attracted to the wealth the white man introduces to Umuofia. Additionally, they find a sense of acceptance and brotherhood in the white man’s religion that their lower status in the tribe had denied them. As more men leave the tribe to join the white man’s mission, the internal rift deepens. Social and psychological conflicts escalate as brothers turn against each other, and fathers and sons become estranged.
Narration
Achebe tells the story of Things Fall Apart through a third-person narrative—using he and she for exposition—rather than having the characters narrate it themselves. Often recounted in the past tense, the story is told with minimal character dialogue. This approach gives the narrative the feel of an oral tale passed down through generations of storytellers.
Imagery
Though the characters in Things Fall Apart engage in minimal dialogue, readers still form a vivid picture of them and grasp their motivations. Achebe achieves this by blending English with Igbo vocabulary and proverbs. When characters do speak, they share rich proverbs, described as "the palm-oil with which words are eaten." Achebe uses these proverbs not only to flesh out his characters but also to depict the society, reveal themes, and develop conflicts. The result is vivid imagery that gives readers a clear sense of the people and events.
Point of View
Critics commend Achebe for his skillful shifts in point of view in Things Fall Apart. He starts the narrative from Okonkwo’s perspective, allowing readers to understand the Igbo's daily customs, rituals, and significant life events like birth, marriage, and death. As the story unfolds, it transitions from being primarily about Okonkwo to focusing on the clan's story. Readers witness the clan’s life, its gradual disintegration, and eventual demise. The novel shifts from character-driven to situation-driven, evoking sympathy for the tribe rather than the individual. The final shift occurs when Achebe concludes the story from the District Commissioner’s viewpoint. While some critics argue that Achebe's ending is didactic, others believe it strengthens the conclusion, seeing it as a form of functionalism, an African tradition of cultural instruction.
Plot and Structure
Divided into three parts, Things Fall Apart includes numerous substories. Achebe unifies these various stories through the use of proverbs, traditional oral tales, and leitmotifs—recurring images or phrases. Igbo proverbs appear throughout the book, providing continuity to the storyline. For instance, the proverb “when a man says yes, his chi says yes” applies to both Okonkwo’s success and his failure.
Traditional oral tales often contain a story within a story. Nwoye’s mother excels at telling these tales, embedding morals within them. The stories Achebe weaves throughout Things Fall Apart are themselves tales within the overarching narrative. Leitmotifs link recurring themes to specific ideas. Achebe connects masculinity with land, yams, titles, and wives, associating this view of masculinity with a certain stagnancy in Umuofia. While a traditional Western plot might not be evident in Things Fall Apart, the African-influenced structure contributes to the story's overall unity.
Foil
Achebe employs foil—a contrasting technique—to highlight the differences between his main characters in Things Fall Apart. The following pairs of characters serve as foils: Okonkwo and Obierika, Ikemefuna and Nwoye, and Mr. Brown and the Reverend Smith.
Okonkwo seldom contemplates; he is a man driven by action. He adheres to the tribe’s traditions almost without question and places its opinion of him above his own judgment. In contrast, Obierika reflects on the events affecting Okonkwo and their tribe. Obierika frequently makes his own choices and questions the tribe’s wisdom in various matters.
Ikemefuna represents the promising young tribesman. As a vigorous and charismatic youth, Ikemefuna engages in the manly pursuits expected of him. Conversely, Nwoye appears lethargic and unmanly. He favors listening to his mother’s tales over strategizing for warfare. He despises the sight of blood and loathes any form of violence.
Mr. Brown communicates softly and holds back the overly enthusiastic members of his mission from overpowering the clan. He aims to win the people over by offering education and genuine faith. Reverend Smith, who succeeds Mr. Brown, is a fire-and-brimstone preacher. He views the world in stark terms; something is either evil or good. He thrives on the fervor of his converts and encourages them to take any measures necessary to gain supporters for his mission.
Expert Q&A
What is the syntax in Things Fall Apart?
The syntax in Things Fall Apart is varied and reflective of oral storytelling traditions. Chinua Achebe uses a mix of short, straightforward sentences and longer, metaphor-rich ones. The novel incorporates Ibo words and phrases, enhancing authenticity and blending cultures. His style is plain yet powerful, often using proverbs, songs, and chants to convey cultural traditions and create a vivid narrative.
Language and Africanness in "Things Fall Apart"
In Things Fall Apart, Chinua Achebe uses language to blend English with Igbo cultural elements, reflecting "Africanness" and showcasing Ibo culture to a Western audience. He incorporates Igbo words, proverbs, and philosophical concepts like chi and ogbanje, which are explained in the text. The third-person omniscient narration, with limited dialogue, mimics oral storytelling, emphasizing the richness of Igbo traditions. Achebe's choice to write in English, interspersed with Igbo, aims to reach a broader audience while preserving cultural authenticity.