"There Are Crimes and Crimes" emerged from a period when August Strindberg was transitioning from a time of deep personal turmoil into the culmination of his creative journey. This play stands as a testament to the synthesis of realism and symbolism, two artistic approaches Strindberg expertly navigated throughout his career. The narrative unfolds with a clear setting and vividly drawn characters, grounding the story in tangible reality. Yet, Strindberg deftly interweaves a deeper layer of meaning, suggesting motivations and consequences that transcend mere human comprehension.

Strindberg explores the duality of transgressions—those visible to society and accountable under human laws, and those subtle, often unnoticed, yet subject to a universal moral reckoning. In this nuanced portrayal, he raises questions about justice and redemption, hinting at an overarching ethical structure that governs human actions, beyond the reach of mortal judgment. Strindberg’s work challenges audiences to contemplate the unseen forces that dictate the morality of deeds, inviting a reflection on the nature of guilt and punishment in a world where not all crimes are met with earthly retribution.