education. 

Of course, this problem later came to the forefront in the 1950s and 1960s. The black students wanted an education just like the whites. The poem dates itself through the use of the word “colored” which is nomenclature that is no used.

This is poem that speaks volumes to loneliness and isolation. The narration is first person point of view with a black student acting as the narrator.  This student feels quite alone as he enters a class in a New York college as the only one of his race in the clas

The teacher gives an intriguing assignment:

Go home and write

A page tonight,

And let that page come out of you—

Then, it will be true. 

The reader and the audience for the essay will be the teacher.

Then he gives pertinent information about himself:

• 22 years old
• Colored
• From North Carolina
• City College of New York,
• Only black student in the class

As an imagist, Hughes describes the path of the student as he makes his way back to his room at the YMCA. It will be there that he responds to the teacher’s assignment.

He begins by speaking to the teacher.  How do either of them know what is true for the other? The boy is only 22 years old and unsure of who he is. 

In his mind, he hears the sounds around him that are typical of Harlem.  The poet mimics its rhythm:

I hear you:  hear you, hear me—we two—you, me. talk on this page. ( I hear New York, too.) Me—who?

Then he begins to describe himself which most importantly speaks to his love for learning. This is an intelligent, sensitive, yet typical guy for his age. He has a work ethic, wants a pipe for Christmas [possibly to look older] and lots of music.  He also comments on the fact that just because he is black does not mean that does not like the same things that white people do. 

Then the author writes the most clever and beautiful metaphor in the poem:

 So will my page be colored that I write?

Being me, it will not be white.

The blank white paper stands for the quality of being white; the writing over it constitutes the aspect of being colored. Thus each aspect complements the other lending significance to the writer and what he writes.

Hughes defines what he hopes one day will be the definition of an American: Because the instructor and the student share a common bond, the English class, they have become a part of each other.  The teacher is white, so he is a part of the student.  The student is black, then he is a part of the teacher. That is what it means to be an American. 

The student has a question in his mind about the teacher actually wanting to be a part of him; and he admits that he does not really want to be a part of the instructor. 

Describing the teacher as older and white and in those days certainly more free…This is what the student handed in for his theme for English B. The final line is full of irony. Although the student is the lone black in the class, his desire to learn and achieve makes his strong in his representation of his race. 

Langston Hughes attended college "on a hill above Harlem," where he was the only black student in the class. Thus, when he is assigned a theme to be written on a paper which is to "come out" of him, Hughes wonders if his professor will know what is true for him, having had much different experiences from her. Yet, there is some common humanity between them "That's American," even though there are times when he does not always wish to be a part of the professor.

But we are, that's true!

As I learn from you,

I guess you learn from me--

although hyou're older--and white--

And somewhat more free.  

In the end, Hughes surmises that the teacher learns from him, as he learns from her, although she is older and white and "somewhat more free." So, while they share some experiences, others are unique to him and others obstacles for him.

For me, the author is trying to say that Americans are all tied together, regardless of what race they are.  He is saying that black people are part of white people and white people are part of black people, whether each side would like it that way or not.

In addition, the author is trying to say that there are, in our society perceptions about people of different races.  We think that people of other races are in some way fundamentally different from us.  Hughes seems to be saying that this is not how things should be, but, at the same time, he realizes that that is how they are.

The theme of this poem is the "othering" that is created by being Black. Langston Hughes is pointing out that due to the color of his skin, his experience of life is different to that of his fellow students and the lecturer who has asked him to write this paper.

To put the phrase "othering" a different way, this poem discusses what it means to be Black rather than White. The theme therefore revolves around being the proverbial odd one out.

The speaker in this poem was given a particularly generic assignment: to write one page about anything honest. In completing this assignment, the speaker needed to look inside himself, and in doing this, he is faced with the reality that he is—and always will be—remarkably different to the person who set this assignment and to his fellow students.

By explaining how he gets from class to the place where he lives, he emphasizes the differences between himself and his classmates and teacher. On the other hand, by telling us that he would like to receive a pipe or records as gifts, he reiterates the common ground that exists between people of all race groups.

He finishes off by reminding his teacher—and his readers—that there are certain freedoms that are enjoyed by White people but not people of color.

The overriding theme of this poem, as with many of Hughes's poems, is the black American experience, how it relates to identity, and how it can make it difficult for white Americans to understand others. The speaker in this poem has been directed by a teacher to write an exercise for class in which he should simply "let that page come out of you," the idea being that the words that flow will then be "true." However, Hughes contemplates in this poem whether this is as true for him, a black American, as it might be for "you," the teacher, who is a representative of wider white society and who is "somewhat more free."

In the body of the poem, Hughes details the simple aspects of his day-to-day life and upbringing: where he went to school and how he found his way to "this college on the hill above Harlem." Notably, however, he begins this account with the statement that he is "colored" and then goes on to mention that he was the only "colored" child in his class growing up. This immediately differentiates him from the white teacher, who would, Hughes implies, never think to begin an account of himself with the statement that he is white. Whiteness is the default; being "colored," on the other hand, literally colors every aspect of Hughes's life. This is something he wants the teacher to "learn" from him, as he suspects it has never crossed his mind.

The words Hughes writes, he says, "will not be white." Despite the fact that he does not "not like" the same things as people of other races simply because he is black, his blackness, in American society, is something he must confront or deal with before he goes on to contemplate other things in his experience. This marks a division between himself and the teacher, but it is not one, Hughes suggests, that is impossible to overcome. On the contrary, if people speak to each other and communicate their lived experiences, it is possible for both to "learn."

In Langston Hughes' poem, "Theme for English B," I believe the theme deals primarily with the perceived difference between the white and black experience...and that it shouldn't be "a black and white" issue.

To fulfill an English writing assignment, the speaker goes home and describes himself, providing the instructor with "truth." He speaks of his connection to Harlem, describes the things that he likes. He acknowledges that what is true for him may not be true for his professor, and perhaps it is because of race. As the only black student in his class, the speaker wonders if this paper that he writes will be "colored."

Looking deeper, the speaker realizes that once he turns the paper in, it becomes a part of his professor. What they do have in common is that they are American—in this way they are a part of each other, whether they like it or not: and he admits there are times when neither one of them likes that fact. However, while there are divisions in the American experience, the speaker believes they can still learn from each other—learning perhaps that what binds them is a truth for both of them...though not necessarily exactly the same. For instance, they can both like the same food or a Christmas pipe...some of the same things, even though they do not share the same race.

I believe that Langston Hughes recognizes the difference of race, while he wishes there was not an issue of color. But he is also realistic. There are other things—things that he and the professor don't have in common: the professor is white; he's older; and, perhaps most importantly, "somewhat more free," a glaring "truth" in 1951.

The theme is about trying to overcome the obstacles that separation by race creates.

Langston Hughes's poem “Theme for English B” was first published in 1951. The speaker is a young African American man living in Harlem, New York City, and attending school. He is the only Black student in his class, and that makes him particularly self-conscious about his English theme and how his White instructor will respond to it.

Throughout the poem, Hughes inserts cultural allusions that capture the flavor of the early 1950s. He sets the scene by referring to specific streets in Harlem (a well-known, artistic New York City neighborhood): St. Nicholas Avenue with its adjoining park, imposing row houses, neo-Gothic City College buildings (was that where the speaker was attending classes?), and historic residences (including the home of Alexander Hamilton); Eighth Avenue (today relabeled “Frederick Douglass Boulevard” after the famous abolitionist); and Seventh Avenue.

After crossing these streets, he arrives at the Y, which is the local YMCA (Young Men's Christian Association). It was common for students, travelers, and others to rent rooms by the week at the YMCA. It wasn't the finest accommodations and certainly not fancy, but it would have served the speaker's need for cheap housing.

In the fourth stanza, the speaker talks about records (the vintage vinyl variety). He would like them as Christmas presents, he says, and he chooses a variety of music. “Bessie” probably refers to Bessie Smith, a blues and jazz singer in the 1920s and 1930s. “Bop” is short for bebop, a quick, jazzy type of music popular in the 1950s. Bach, of course, is the classical composer Johann Sebastian Bach, famous for his Baroque music. The speaker comments that just because he is Black doesn't mean that he doesn't like the same kinds of things everyone else enjoys. He is human, too.

The speaker continues by reflecting that part of being American is being part of each other, no matter what race someone is. He is part of his White instructor. His White instructor is part of him. They learn from each other. We remain who we are, including our race, but we share experiences among ourselves. That's what American culture is supposed to be, a mutual sharing, a coming together of races and ethnicities.

The tone, or attitude, of Langston Hughes in his "Theme for English B" is rather bemused and lightly ironic.  After being instructed to write a page that comes out of him that will be true, Hughes thinks, "I wonder if it's that simple!"  Of course, the greatest irony is in the poet's wonder if he can write a page that his white instructor will understand, and yet he ends his poem with the assignment completed:  "This is my page for English B."

Despite his bemusement, Hughes writes a page that is "true" as he bemusedly reflects

I guess being colored doesn't make me not like

the same things other folks like who are other races....

Being me, it [the page] will not be white,

But it will be

a part of you, instructor,

You are white--

yet a part of me, as I am a part of you,

That's American.

At this point, the poem's tone turns to ironical regret since Hughes's poem was written in 1951, a time at which racial discrimination peaked.  Hughes points to this disparateness of his instructor and himself: 

Sometimes perhaps you don't want to be a part of me.

Nor do I often want to be a part of you.

But we are, that true!

As I learn from you,

I guess you learn from me--- 

Part of what makes this poem so powerful is the idea that individuals play a vital role in constructing their own sense of reality.  The opening lines or the assignment takes this to a simple, yet alarmingly complex, level.  When the instructor asks the students to essentially construct truth, it is at this point where Hughes takes off in his exploration. Indeed, part of this journey is to articulate what it means to be black in the social setting of the time.  Part of this is to go to a different home than others, a different part of town than others, and to sit in a college classroom while looking physically and  experiencing reality metaphysically different than others.  This construction of truth is undeniable.  Yet, there are aspects within this experience where race is not the defining element to one's being.  When the speaker articulates wanting a pipe or specific types of music, there is an amazingly complex truth present:  Perhaps, it is not race that divides as much as class or cultural capital which is the demarcation.  Few literary thinkers, and even fewer poets, have played with this like Hughes has.  The convergence of race and class/ cultural capital is what helps the speaker define his level of truth as a complex one, where individuals face different concentric circles of experience and "truth."

I think he's trying to say a few things:

• He's trying to say that at some level people of different races are not that different.
• But at the same time, he's not at all sure that what's true for him as a 22 year-old black person is the same as what's true for his older, white teacher.
• He's trying to say that white and black Americas (if they are separate things) are tied up with one another, somehow connected whether they want to be or not.

So if you look at all that, what is the overall message that Hughes is trying to get across?

I'd say that it is the message that race in this country is a difficult topic.  It's hard to know where our similarities end and our differences begin.

I wonder what he would have written if he'd been half-white half not like me...

"Theme for English B" by Langston Hughes is a poem written in the first person, in which the narrator is a university student struggling to complete an assignment that requires writing a poem for an English class. In this poem, the narrator addresses the issue of what it means to write from the subject position of a young African-American male. Although the older white male professor recommends speaking truth transparently, the narrator is concerned that different subject positions create different truths. Authenticity for a black man speaking English, the language of European slave owners and colonial oppressors, is fundamentally problematic. Moreover, the narrator is still a young man whose own voice and identity are still unformed. In a sense, he cannot speak from an identity but instead forms his identity as he engages in a process of self-discovery as he completes the assignment.

As the narrator reflects upon the environment of the college and his walk home through the streets of Harlem, he realizes that despite ethnic differences, he and his professor and his readers share a common humanity. He enjoys reading and listening to music and being in love and eats and drinks and sleeps, as do all people, white or black. His awareness of this shared humanity resolves the issue of how he can write in a way that is universal without betraying his African-American heritage, as is reflected in the lines:

I guess being colored doesn't make me not like
the same things other folks like who are other races.