The Thief Lord Themes
The three main themes in The Thief Lord are family, friendship, and disguises and identity.
- Family: The children form a found family based on the love and care they never received from the families who raised them, with Victor and Ida becoming like parents to them.
- Friendship: The common goal of survival binds the children together as friends, with Scipio losing and then regaining the others’ friendship.
- Disguises and identity: Many of the characters disguise their true identities. Scipio, for instance, presents himself as the Thief Lord in order to hide that he is the son of the Dottore.
Family
To Prosper, staying with his true family, his brother, is the most important thing in the world. Prosper and Bo have family who do not appreciate or love them. Aunt Esther and Uncle Max Hartlieb do not want Bo because they love him, but rather because he is little and cute. Scipio as well has a family who does not appreciate him. It appears that his mother is no longer living, and his father is constantly disappointed in him. Dottore Massimo wants Scipio to be like a pet, obedient and small, acting like a puppet, with Dottore Massimo pulling the strings. Together, the children find that family does not necessarily mean the people who gave birth to you, but rather, family means the people that support you and care for you. Family is really about love. The children become a family as they work and live together, and Victor and Ida become like parents to many of the children.
Friendship
Friendship is another theme that is prevalent in the novel. The children readily accept each other as friends because they are united by a common front: survival. Even though Scipio is not really an orphan, he leads the others to believe he is, so they embrace him as a friend. When the truth comes out and he is revealed as the son of the wealthy Dottore Massimo, the friendship is destroyed for a while, because he has lied to the others. Prosper, however, is the only one that can see through Scipio’s bravado and realizes that he is in some ways just as much an orphan as the rest of the children are, because he lives without love from his father, and lives in fear of Dottore Massimo. Scipio must gain back that friendship by proving himself to the others. Victor and Ida, however, must work at gaining the friendship of the children, because they are adults and a possible threat to the children. Victor has the power to turn the boys over to the Hartliebs, but once he realizes the boys’ worth and spends time with them, the children and Victor become good friends. Victor makes the promise not to tell the Hartliebs about the boys, and his help in this matter makes the children realize that Victor is a friend and is no longer a threat. Ida begins as a mark—she is just the woman who has the wing the children need to steal. However, when she catches them, instead of just calling the police, she listens to the children and analyzes their story, creating a situation where everyone can get what they want.
Identity
Disguises and identity is another prevalent theme throughout this work. Several characters rely on disguises in order to hide who they truly are. Victor wears various false beards, mustaches, and glasses in order to do his detective work. He relies on disguises to hide his identity. The children discover that Barbarossa (the redbeard) is also a phony: he actually dyes his beard to look more intimidating and special. Scipio hides his true identity of the son of the Dottore by creating the persona of the Thief Lord. He wears high heels in order to appear bigger, and a mask to look mysterious and hide his face from people who may recognize him. Scipio rejects his life as a wealthy son, and creates a whole story in order to be someone else so that he could have control over one aspect of his life. Prosper and Bo even hide their identities when Aunt Esther and Uncle Max are searching for them, by cutting Prosper’s...
(This entire section contains 172 words.)
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hair short and dying Bo’s hair black.
Youth and Aging
The character’s concerns about youth and aging comes to a climax when the existence of the merry-go-round is discovered. The Conte and his sister want so badly to be young again that they go to great lengths to locate the missing wing and hire the Thief Lord to steal it. Scipio feels so oppressed as a child of the wealthy Dottore that his greatest wish is to be an adult. As the Thief Lord, Scipio puts on heeled shoes to make himself appear older. He has the other children do his errands so that people believe they are working for an adult. Scipio is tired of being treated like a child, like a toy; he just wants to be older and independent. After he rides the merry-go-round and becomes an adult, he changes his name to Scipio Fortunato, the fortunate one, because he has escaped the life that he hates so much.