Introduction
Marianne Wiggins’s novel The Shadow Catcher (2007) has been praised
for its poetic writing and its unusual form. In regards to the form, the novel
is, in part, a work of fiction about fiction. At the same time, it is also a
fictionalized account of real people. Another unique characteristic of this
book is that the author includes photographic portraits of real people as if
she were writing a biography. Unless readers have completed in-depth research
of their own, however, they will not know where truth ends and fiction
begins.
The story begins with a character named Marianne Wiggins (the same as the
author’s name). After a brief introduction to this character (who also shares
many characteristics with the author), this thread of the story is temporarily
dropped. The story turns to the focused topic, the photographer Edward S.
Curtis (1868-1952). Curtis was famous for his attempts to capture the lives of
turn-of-the-century Native Americans.
There are many unanswered questions about Curtis’s life, and Wiggins attempts
to answer them through a combination of research and fictive rendition. Wiggins
has said that she wrote The Shadow Catcher to get behind the myth of
Curtis—to find the truth of his life. But as the book comes to an end, the
author concludes that, in fact, the truth about anyone’s life is elusive.
Although the two stories in this novel are separated by more than one hundred
years, they are intricately entwined. The main story about Curtis is told
mostly through his wife, Clara. Readers witness Clara’s development from a
young, single woman to a wife and struggling mother. Wiggins paints Clara as a
somewhat saintly figure who supports her husband no matter how badly he treats
her. It is Clara who builds a myth around her husband, hoping to instill in her
children a love for their often-absent father.
In the other part of the story, the character Marianne meets a Native American
man whose father knew Curtis. This is when unsuspected details come to the
surface that deepen Marianne’s understanding of Curtis and provide her with a
better understanding of her own life and relationships.
Extended Summary
The author places herself (or a character with the name Marianne Wiggins,
who is a novelist and has written a book called The Shadow Catcher)
into parts of her story, which takes place in Los Angeles and Las Vegas. At the
start of the novel, Marianne (the character) is having lunch with executives
from the film industry. They are interested in adapting Marianne’s novel into a
film script.
Later, at home, Marianne receives a phone call from a nurse in a Las Vegas
hospital who tells Marianne that her father has had a heart attack and is not
expected to live. Marianne is flabbergasted as she tells the nurse that her
father died (by suicide) many years ago. However, Marianne is curious about the
imposter and decides to drive to Las Vegas to see him.
The story then switches centuries and main characters. The character Marianne
has become fascinated with Edward Curtis, and she begins to tell his story. She
starts with Clara, the young woman who will become Edward Curtis’s wife. Clara,
whose parents were killed in a bizarre accident, has recently moved in with the
Curtis family. The Curtises, old friends of Clara’s parents, live across the
Puget Sound region in late nineteenth-century Washington.
Mr. Curtis is off looking for gold. Mrs. Curtis is a bit feebleminded. Eva, Edward Curtis’s younger sister, is obviously jealous of Clara. Edward’s brother, Asahel, is secretly in love with Clara. Edward...
(This entire section contains 795 words.)
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himself is rarely ever at home. He prefers the wilderness. When he is home, he hardly speaks to anyone and spends most of his time passionately and obsessively absorbed with the perfection of his photography skills.
After a very strange and very brief courtship, Edward asks Clara to marry him.
Edward tells Clara that he needs her, which really means that he needs Clara’s
help in establishing his dream of running a portrait studio. Unfortunately,
their marriage is a one-sided relationship, with Clara making all the
sacrifices. Eventually, the young couple and the rest of Edward’s family move
across the Sound to Seattle. Clara and Asahel do most of the work in the studio
while Edward takes photographs during his frequent mountain treks.
In the meantime, Marianne, in the twenty-first-century part of the story, goes
to Las Vegas, where she finds the man who is claiming to be her father. The man
is black; Marianne is white. There is no family connection. However, there is a
coincidental connection that Marianne later discovers. She meets Lester, a
Navajo Indian, who brought the man claiming to be her father to the hospital.
The man was trying to sell an Indian artifact to Lester when he had a heart
attack. Lester refuses to leave the hospital until either the doctors release
the man or the man dies. The man is unconscious, and there is little hope for
his recovery.
When the story returns to Curtis, readers find Clara at her wits’ end. She and
Curtis now have four children; Curtis has run up a substantial debt; Asahel has
left after a fight with his brother; and Clara has been left to raise the
children, run the studio, and take care of Curtis’s mother and sister. When
Clara finally has authorities arrest Curtis for lack of child support as he is
passing through Seattle, the older children turn their backs on Clara. Later,
with all the children grown, Clara learns that her brother, Hercules, has died.
Feeling totally isolated and unsupported, Clara takes a boat out on the Sound,
and later her body is discovered in the water.
Back in Las Vegas, Marianne and Lester find out where the unconscious man in
the hospital lives. They go through some of his belongings and find a picture
of his son. They also find a newspaper clipping that tells of this same man
having found Marianne’s father after her father had hung himself twenty or more
years ago. Other interesting details are revealed. Some of the Indian artifacts
that the man’s landlady owns were made by Lester’s father and given to none
other than Edward Curtis.
The landlady offers another piece of the puzzle to Edward’s life. He used to
live in one of the landlady’s houses in Las Vegas. Edward lived there with his
lover, the landlady’s uncle.
Marianne, now that she is involved in the stranger’s life, decides to try to
find the man’s son. As it turns out, the son is a colonel in the military,
working not too far away on a base in the middle of the Nevada desert. She
tells him where his father is. Then the son fills in some of the circumstances
surrounding her own father’s suicide.