Volume Eight, Part 1

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What Happens

In a Newgate crowd, Sarah becomes separated from Eliza. Henry Bogle assists Eliza onto a platform where they show support for the Claimant. Guildford Onslow discusses working-class backing for the Claimant, followed by the Claimant addressing the crowd, emphasizing the importance of a fair trial. Eliza begins to reconsider her doubts about the Claimant's authenticity.

Eliza resorts to deception with William, feigning research on the Touchet family history at the British Library while secretly attending Tichborne meetings. Eliza anticipates Henry's arrival for a Tichborne meeting outside the Free Trade Hall in Manchester. She contemplates these gatherings' repetitive nature and deepening admiration for Henry's kindness and integrity.

Henry arrives late, and Eliza studies the statues on the Free Trade Hall's facade as she waits. She contemplates the allegorical figures, noting that America and Africa are depicted with less clothing, and Africa appears inaccurately represented. Upon Henry's arrival, she shifts her focus, and they proceed.

The narrative shifts to 1838. As William delves into his novel, leaving his daughters somewhat neglected, Eliza contemplates his absence from their lives. He requests that she visit the girls at school on his behalf, and though she hesitates, she eventually agrees. During her journey, she finds herself fascinated and repulsed by someone easy to talk to and a good listener, but she questions his kindness.

Eliza, Dickens, and Forster bring a lemon cake to Miss Harding's School for Young Ladies. The girls greet them with hugs and gratitude, expressing their joy.

Forster passionately supports repealing pro-landlord laws and praises the era of innovation and industry. Charles and Forster also commend the middle class and the Grants' generosity as hosts. Eliza, however, urges caution, emphasizing the significance of legislation over relying solely on Catholic goodwill.

They reach the Grant Brothers' factory, where the Grants recount their journey from poverty to wealth, primarily due to low cotton prices. Eliza tries to see the factory as a place where diligent local girls operate printing presses.

The Grants explain their method of paying the girls with coins stamped "Grant." Forster and Charles commend the system, while Eliza silently considers the sustainability of benevolence. However, the presence of four talkative men hinders her from expressing her thoughts.

The story moves to 1873. The trial begins with the prosecution presenting a strong case against the Claimant. They point out inconsistencies, like secret payments to Arthur Orton's siblings, inaccurate ship records, and the absence of a tattoo on the Claimant's left arm. The Claimant's use of the fake name "Tom Castro" in South America is highlighted, and his supporters are portrayed negatively. A racially insensitive remark is made about Bogle.

The prosecution's case against the Claimant lasts seventeen days, with 215 witnesses. The Claimant appears uninterested, often doodling in court. Sarah complains about the trial's length and asks Eliza for an estimate, to which she guesses it might fill eight volumes.

Eliza observes George Kenealy's shift from poet to defense lawyer. Later, William mentions Kenealy's involvement in a child mistreatment scandal and disagrees with punitive measures against such men. Eliza asks about William's biography of Dickens, and he expresses disappointment with its incomplete portrayal. Eliza reassures him about his literary pension, and William reflects on his aspiration for knighthood, prompting Eliza's thoughts on this trait in men.

In December 1840, Eliza and William attend a literary gathering with Dickens, Thackeray, and Kenealy to celebrate William's recent books. Eliza speaks briefly with Kenealy, who is dissatisfied. Thackeray later toasts Richard Carlile, a political agitator, and criticizes William's editorial decisions, particularly including works by titled authors. Eliza and Thackeray discuss William's writing, with...

(This entire section contains 1044 words.)

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Thackeray suggesting that William occasionally confuses information with readers' interest in his novels.

Back to the present, Eliza reflects on the proceedings of the trial, which have left her questioning the concept of "the truth." Kenealy frequently uses the Latin phrase "Falsus in uno, falsus in omnibus" (false in one thing, false in all) to discredit witnesses and the legal system itself.

Despite the chaos of the trial, Eliza and Sarah find amusement in caricatures that portray the key figures, including Roger Tichborne, Kenealy, and the judges, as characters in various fantastical scenarios.

Bogle testifies calmly and clearly, repeating his previous statements. Eliza ponders whether people can be sincerely false, possibly believing something false without realizing it.

Kenealy presents a new witness, Jean Luie, who asserts he saved Sir Roger. Sarah distrusts Luie, perceiving him as a con man. Eliza advocates for withholding judgment based on appearances or names. Yet, when it's revealed that Luie is a recently freed ex-convict with an alias, Eliza reevaluates her stance.

Fascinated by Ethiopian singers, Eliza decides to attend an Ethiopian music concert with Henry, surprising even herself. She reflects on how age has made her more open-minded compared to others. She tells William that she'll attend a Bach performance by a French musician at Wigmore Hall.

Why it Matters

Eliza contemplates the magnetic influence that can captivate a crowd and laments the limited opportunities for women to speak publicly due to societal prejudice. She wonders if magnetism is inherent and how it might be measured, ultimately concluding that kindness is the most alluring trait.

Magnetism, Mrs. Touchet supposed. The ability to hold the attention of a crowd. She had often wondered about this quality. Women spoke in public so rarely, and those few she had seen attempt it generally depressed her. ...When young she had not found kindness attractive: she had overlooked it. Goodness, yes, magnetism, certainly, but kindness had not registered. Now that she was old, kindness seemed to her to be the only thing that really mattered. The only truly attractive quality.

Eliza revisits places from her past, like town halls, corn exchanges, and theaters, once shared with Frances. The passage of time feels peculiar to her now as she straddles both the past and the present, an invigorating yet perplexing experience.

Getting old turned out to be a very strange business. She was learning so many new things about time. It could twist and bend until the past met the present, and vice versa. She was both here and there, then and now, it was invigorating, but also sometimes confusing.

She also reflects on her profound connection with William, their enduring companionship, and shared experiences over the years.

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Volume Seven

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Volume Eight, Part 2

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