Race and difference are central themes in "The Tempest," particularly in the treatment of Caliban, who is seen as irredeemably savage due to his "vile race." Despite learning language and some customs from Miranda and Prospero, Caliban is deemed fit only for enslavement. This reflects the colonial attitudes of the time, where racial differences justified the exploitation and oppression of indigenous peoples, mirroring European interactions with the New World's native inhabitants.

Post-colonial criticism of "The Tempest" interprets Prospero as a European colonialist who seizes control of the island, dominating the indigenous Caliban and Ariel. This reflects the historical context of European exploration and conquest. Prospero's actions symbolize the imposition of Western civilization, often at the expense of native cultures. Caliban, depicted as surly and primitive, embodies the stereotypical view of indigenous peoples, yet also represents the "Noble Savage" concept, closer to nature and untainted by European influences.

Ferdinand and Miranda are good people who will make the best possible rulers for the colony. However, because Miranda is prejudiced against Native Americans, she and Ferdinand may do a lot of harm to the natives.

Shakespeare's The Tempest reflects his contemplation of political themes, such as legitimate rule and colonization. Prospero's unjust exile and eventual forgiveness suggest Shakespeare valued rightful governance and mercy. The play's portrayal of Caliban highlights the complexities of colonization, showing both oppressive and ambiguous aspects without clear resolution. This suggests Shakespeare was exploring the nuances of these issues rather than explicitly conveying his political views.

The Tempest explores themes of colonialism and imperialism through the interactions between Prospero and Caliban. Prospero's domination over the island and its inhabitants reflects the European colonizers' control over indigenous peoples. Caliban's resistance symbolizes the struggle and resentment of the colonized. The play critiques the moral and ethical implications of colonization and questions the legitimacy of imperial power.

Caliban and Ariel in The Tempest symbolize different aspects of servitude and nature. Caliban represents the earthly, physical side, often associated with brute force and resentment, while Ariel embodies the ethereal, spiritual realm, showing obedience and lightness. Their relationships with Prospero differ: Caliban resents his enslavement, whereas Ariel serves willingly, anticipating freedom. This contrast highlights themes of power, control, and liberation.

The portrayal and influence of power and dominance in a colonial context in The Tempest are evident through Prospero's control over the island and its inhabitants. His dominance over Caliban and Ariel reflects the European colonial mindset, where the colonizers exert authority over the native people and resources. The play explores themes of exploitation, control, and the complex dynamics between the oppressor and the oppressed.

Shakespeare's The Tempest explores themes of discovery, colonization, and power against the backdrop of European exploration. Characters make personal discoveries, like Prospero's realization of forgiveness over vengeance and Miranda's understanding of love and society. The play also reflects seventeenth-century anxieties about colonization, as seen in Caliban's portrayal as a wronged native. The magical island catalyzes self-discovery, highlighting both the excitement and exploitation associated with new worlds, resonating with Jacobean concerns about power and usurpation.