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Caliban's role as a tragic figure and its necessity for Prospero's romance in The Tempest

Summary:

Caliban's role as a tragic figure in The Tempest is essential for Prospero's narrative. His character highlights themes of colonization and servitude, contrasting Prospero's quest for redemption and reconciliation. Caliban's tragic existence underscores the play's exploration of power dynamics, ultimately contributing to the depth and complexity of Prospero's journey and the overarching romance.

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Is Caliban's tragedy necessary for Prospero's romance in The Tempest?

Prospero does not have a romance in The Tempest by William Shakespeare. Prospero is a widower, whose wife (Miranda's mother) died sometime before the action of the play begins. The only woman who appears in the play is Miranda, Prospero's daughter. The only romance in the play is between Ferdinand and Miranda. 

Caliban is not precisely a tragic hero. He exists somewhere between the rude rustics of comedy and the villains of tragedy . He is the son of a sorcerer Sycorax, who ruled the island before the arrival of Prospero. He is a deformed and monstrous character, whom some critics consider a representation of the fears of European colonial powers of the natives of the lands they colonized. As Caliban did once try to rape Miranda, Prospero does need to subjugate Caliban for the safety of his daughter, but Caliban's narrative arc is not a tragedy, and Caliban does...

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not resemble a tragicprotagonist

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