Characters
Sakini
Sakini is a pivotal, middle-aged Okinawan interpreter for the U.S. occupation forces after World War II. His character is a cultural envoy who deftly integrates Okinawan customs, Japanese folk wisdom, and a parody of Western ways to express his viewpoint on Americans and America. Sakini's attire, often tattered shorts and oversized G.I. shoes, underscores the cultural interplay he personifies. Frequently, he breaks the fourth wall to engage directly with the audience, providing insights into the historical and cultural context of the play. Though sometimes described as "childlike," Sakini's cleverness and adeptness at navigating cross-cultural interactions reveal a profound wisdom that challenges simplistic stereotypes. His portrayal is that of a bridge between cultures, embodying both the naiveté and depth essential for true understanding.
Colonel Purdy
Colonel Wainwright Purdy is portrayed as a robust U.S. Army officer charged with the democratization of Okinawa post-World War II. He epitomizes military rigidity and a strict adherence to orders, even regarding trivial matters. However, there is a duality in his character; while he maintains a strict exterior, his fondness for reading Adventure Magazine during work indicates a more relaxed side. Deeply invested in his reputation, especially in the eyes of his wife, Purdy is willing to reverse orders to appease his superiors, revealing a pragmatic nature. Upon discovering the new Tobiki teahouse, he sternly rebukes Captain Fisby for misusing army resources, yet he benefits when Tobiki becomes an example of successful democratization.
Captain Fisby
Captain Fisby is a young U.S. Army officer in his late twenties, who previously served as an associate professor of humanities. Initially, he is perceived as a misfit within the military framework, tasked with implementing "Plan B" in Tobiki under Colonel Purdy’s command. Eager to make a favorable impression on his superiors, Fisby’s journey is marked by frustration and eventual adaptation to local customs. Influenced by Sakini, he begins to wear a bathrobe as a kimono and enjoys local snacks. His transformation is exemplified by his promotion of local products like sweet potato brandy, resulting in the unexpected success of making Tobiki a model village. Ironically, his disobedience highlights how ideals can diverge from reality within a structured system.
Lotus Blossom
Lotus Blossom is a beautiful, petite Okinawan geisha introduced to Captain Fisby by her father, Mr. Sumata. Initially misconceived as a prostitute by Fisby, Sakini clarifies her true role as a geisha, integral to Japanese tradition. Her presence in Tobiki inspires local women to aspire to become geishas, and men to desire a teahouse. Although she embodies a Western stereotype, Lotus Blossom remains rooted in authentic cultural practices. By the play’s end, she seeks Fisby’s approval to marry a local man, symbolizing her full integration into village life.
Captain McLean
Captain McLean, described as "an intense, rather wild-eyed man in his middle forties," serves as an army psychiatrist with a task to evaluate Captain Fisby. Initially critical, McLean becomes captivated by Tobiki, especially its horticulture, and swiftly adjusts to the local way of life. He embraces local customs, participates in village festivities, and even leads songs like "Deep in the Heart of Texas." Despite reprimands from Purdy and facing reassignment, McLean’s journey underscores the theme of cultural adaptation and acceptance.
Sergeant Gregovich
Sergeant Gregovich, a U.S. Army enlisted aide to Colonel Purdy, is depicted as superficially efficient. His role, albeit minor, contributes to showcasing the dynamics of military operations within the narrative.
Old Woman
The Old Woman, grandmother to Tobiki’s mayor, is a shrewd character in the village’s social tapestry. She insists on riding atop the wagon transporting Captain Fisby to Tobiki to preserve her family’s honor, cleverly maneuvering...
(This entire section contains 960 words.)
Unlock this Study Guide Now
Start your 48-hour free trial and get ahead in class. Boost your grades with access to expert answers and top-tier study guides. Thousands of students are already mastering their assignments—don't miss out. Cancel anytime.
Already a member? Log in here.
socio-political landscapes, much to the command’s chagrin.
Old Woman’s Daughter
The Old Woman’s daughter travels with her three children on the wagon to Tobiki, emphasizing the significance of communal ties and family honor in Okinawan culture.
Mr. Hokaida
Mr. Hokaida, a stout villager clad in tattered peasant clothes, welcomes Captain Fisby with a cricket cage, symbolizing a gesture of cultural exchange and hospitality upon Fisby’s arrival in Tobiki.
Mr. Omura
Mr. Omura, distinguishable by his white coat, presents Captain Fisby with chopsticks, a token of welcome and respect, underscoring the cultural decorum of Tobiki.
Mr. Sumata
Mr. Sumata, a skilled carpenter, inadvertently triggers cultural misunderstandings when he gifts Captain Fisby a geisha, highlighting the nuances of cross-cultural interactions within the village.
Mr. Sumata’s Father
Mr. Sumata’s father, also a carpenter, collaborates in erecting the distinctive five-sided school/teahouse, reflecting the transmission of skills and cultural heritage from one generation to the next.
Mr. Seiko
Mr. Seiko, a villager, offers Captain Fisby geta, traditional wooden sandals, as a sign of acceptance and cultural integration into the village community.
Miss Higa Jiga
Miss Higa Jiga, a robust, unmarried woman with a flat face, serves as the president of the Ladies’ League for Democratic Action. Her humorous demands on Fisby highlight foreign perceptions of democracy, showcasing a blend of traditional and modern influences.
Mr. Keora
Mr. Keora experiences disappointment when U.S. Army personnel undervalue Okinawan crafts, illustrating the conflict between local craftsmanship and Western technological dominance.
Mr. Oshira
Mr. Oshira, a skilled artisan, struggles to sell his lacquer cups due to the soldiers' lack of appreciation for their craftsmanship. He perceives the August moon as emblematic of the maturity and wisdom cultivated through cultural exchange.
Major McEvoy
Major McEvoy, appointed as Captain Fisby’s successor, symbolizes the persistent cycle of military assignments and the challenges inherent in cultural adaptation.
Lady Astor
Lady Astor, Miss Higa Jiga’s goat, serves as a humorous narrative element to test the safety of homemade brandy, reflecting the fusion of traditional life with the absurdities of cultural misunderstandings.