Sakini

Sakini is a pivotal, middle-aged Okinawan interpreter for the U.S. occupation forces after World War II. His character is a cultural envoy who deftly integrates Okinawan customs, Japanese folk wisdom, and a parody of Western ways to express his viewpoint on Americans and America. Sakini's attire, often tattered shorts and oversized G.I. shoes, underscores the cultural interplay he personifies. Frequently, he breaks the fourth wall to engage directly with the audience, providing insights into the historical and cultural context of the play. Though sometimes described as "childlike," Sakini's cleverness and adeptness at navigating cross-cultural interactions reveal a profound wisdom that challenges simplistic stereotypes. His portrayal is that of a bridge between cultures, embodying both the naiveté and depth essential for true understanding.

Colonel Purdy

Colonel Wainwright Purdy is portrayed as a robust U.S. Army officer charged with the democratization of Okinawa post-World War II. He epitomizes military rigidity and a strict adherence to orders, even regarding trivial matters. However, there is a duality in his character; while he maintains a strict exterior, his fondness for reading Adventure Magazine during work indicates a more relaxed side. Deeply invested in his reputation, especially in the eyes of his wife, Purdy is willing to reverse orders to appease his superiors, revealing a pragmatic nature. Upon discovering the new Tobiki teahouse, he sternly rebukes Captain Fisby for misusing army resources, yet he benefits when Tobiki becomes an example of successful democratization.

Captain Fisby

Captain Fisby is a young U.S. Army officer in his late twenties, who previously served as an associate professor of humanities. Initially, he is perceived as a misfit within the military framework, tasked with implementing "Plan B" in Tobiki under Colonel Purdy’s command. Eager to make a favorable impression on his superiors, Fisby’s journey is marked by frustration and eventual adaptation to local customs. Influenced by Sakini, he begins to wear a bathrobe as a kimono and enjoys local snacks. His transformation is exemplified by his promotion of local products like sweet potato brandy, resulting in the unexpected success of making Tobiki a model village. Ironically, his disobedience highlights how ideals can diverge from reality within a structured system.

Lotus Blossom

Lotus Blossom is a beautiful, petite Okinawan geisha introduced to Captain Fisby by her father, Mr. Sumata. Initially misconceived as a prostitute by Fisby, Sakini clarifies her true role as a geisha, integral to Japanese tradition. Her presence in Tobiki inspires local women to aspire to become geishas, and men to desire a teahouse. Although she embodies a Western stereotype, Lotus Blossom remains rooted in authentic cultural practices. By the play’s end, she seeks Fisby’s approval to marry a local man, symbolizing her full integration into village life.

Captain McLean

Captain McLean, described as "an intense, rather wild-eyed man in his middle forties," serves as an army psychiatrist with a task to evaluate Captain Fisby. Initially critical, McLean becomes captivated by Tobiki, especially its horticulture, and swiftly adjusts to the local way of life. He embraces local customs, participates in village festivities, and even leads songs like "Deep in the Heart of Texas." Despite reprimands from Purdy and facing reassignment, McLean’s journey underscores the theme of cultural adaptation and acceptance.

Sergeant Gregovich

Sergeant Gregovich, a U.S. Army enlisted aide to Colonel Purdy, is depicted as superficially efficient. His role, albeit minor, contributes to showcasing the dynamics of military operations within the narrative.

Old Woman

The Old Woman, grandmother to Tobiki’s mayor, is a shrewd character in the village’s social tapestry. She insists on riding atop the wagon transporting Captain Fisby to Tobiki to preserve her family’s honor, cleverly maneuvering...