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A Tale of Two Cities

by Charles Dickens

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What is the meaning of the first paragraph of A Tale of Two Cities?

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Dicken's first paragraph in "A Tale of Two Cities" is perhaps the most famous opening paragraph of all time. It beautifully sets up the themes that Dickens intends to explore in the novel. England is in the midst of the Industrial Revolution, and France is in the middle of a revolution. The time was glorious for some and horrific to others. The literary technique that Dickens is using in the first paragraph is called anaphora. This is the repetition of an opening phrase in multiple sentence clauses. It's an excellent way to illuminate paradoxes, which is what Dickens is doing here.

Why is this opening paragraph so well-known? Some of it has to do with Dickens's fame as a writer and the exceptional quality of A Tale of Two Cities . However, I also think that this paragraph has stuck with us for all this time because...

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of the universality of its applicability. Modern society is defined by paradoxes. The richest of us have more than ever, while the poorest of us continue to struggle mightily just to get by. Dickens might as well have been describing our society with his famous opening line:

It was the best of times, it was the worst of times. It was the age of wisdom, it was the age of foolishness.
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What Dickens is trying to establish in the opening paragraph are the various paradoxical themes that he will explore in the book and which found such vivid expression during the French Revolution. This historical epoch was the Age of Enlightenment, but it was also an era of darkness and tyranny; it was a time of great hope and of great despair. Dickens uses a literary technique called anaphora, which is the repetition of the phrase at the beginning of clauses. For example,

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity.

The use of anaphora emphasizes the paradoxical elements of contemporary society and how they are locked together in a ceaseless struggle. That struggle will form the basis of much of what happens in A Tale of Two Cities. In that sense, the famous opening paragraph gives us a taste of what is to come.

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This first paragraph of Dickens is a beautiful example of paradoxes, paradoxes to which each reader can relate.  For, no historical period is without its benefits and its deficiencies.  Also, Dickens sets up parallels between the time period of the novel,the 1780s, and his own time period, the 1850s.

In England, there were social changes being made by the Industrial Revolution as well as from influences across the English Channel in France with such men as Robespierre and Danton.  Dickens wished to portray the danger of radical thinking as this thinking wrought death and destruction.  He feared that "the age of incredulity" might effect even more destruction than those caught in "the age of foolishness."  On the other hand, Dickens perceived that children and adults both suffered under cruel working conditions; people were suspicious of one another, and other inhumane acts were committed in England as well as in France.  So, some social changes were necessary. 

This theme of duality presented in the exposition of "A Tale of Two Cities" is prevalent throughout the entire novel as characters have their "doubles" and the two cities reflect each other in several social dilemmas and possible consequences.

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What is the significance of the opening paragraph in A Tale of Two Cities?

Ranked among the most famous lines of all literature, the opening paragraph of A Tale of Two Cities begins with dramatic contrasts that, ironically, suggest dualities.  The message of Charles Dickens, who has read Thomas Carlysle's The French Revolution: A History with trepidation for his own England, is that both England and France are between chaos and order, despair and hope, darkness and light--"the worst of times" and "the best of times."

Long a social reformer, Dickens intends to alert his English reader that what has happened in France could well occur on both sides of the Channel. Thus initiating the motif of dualties, the first paragraph helps to launch the character doubles in Darnay/Carton, Manette/Lorry, Styver/Marquis d'Evremonde and the opposing doubles of Mme. Defarge/Lucie and Miss Pross as well as the parallels between London/Paris.

Finally, the opening paragraph suggests the literary tensions between family and love, oppression and hatred.  For instance, with the Evremonde family, especially, this tension is present as Charles Darnay, the nephew, renounces his family name, yet he is pulled by the "Loadstone Rock" to his home.

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