T. Coraghessan Boyle

Start Your Free Trial

Download T. Coraghessan Boyle Study Guide

Subscribe Now


(Contemporary Literary Criticism)

T. Coraghessan Boyle 1948–

(Born Thomas John Boyle) American short story writer and novelist.

The following entry provides criticism on Boyle's works through 1995. For further information on his life and works, see CLC, Volumes 36 and 55.

An author of irreverent comic fiction, Boyle is often likened to such absurdist writers as John Barth, Robert Coover, and Thomas Pynchon for his bleak vision and black humor, and for exuberantly stylized prose which blends the archaic with the contemporary and the erudite with the colloquial. Boyle has explained that he is fascinated by history as a means of understanding the present, and he has satirized diverse historical epochs as well as contemporary America. His fictional treatments of both past and present are praised for their intricate plots and their detailed evocations of the spirit of the times. However, Boyle is most widely acclaimed for the manic energy of his prose, variously described as anarchic, bawdy, and lyrical. As Charles Dickinson has written, "No one writing fiction today has his touch with the language, the inspired word, the sense of humor, the playfulness, the sheer weight of talent."

Biographical Information

Born in Peekskill, New York, a town located on the Hudson River, Boyle grew up in a working-class, Catholic family. Although he claims that he did not read fiction until he was eighteen, he recalls being intrigued by the newspaper stories his mother read to him. Boyle, a self-proclaimed hellion who cut classes and abused drugs throughout his youth, enrolled at the State University of New York at Potsdam intending to major in music, but "didn't have the discipline to do the practicing." He began writing as a junior at Potsdam, when he enrolled in a creative writing course. Following his graduation from college, Boyle taught high school English in Peekskill to avoid serving in Vietnam. During this interval he published his first short story, "The OD & Hepatitis RR or Bust," in The North American Review, and this piece won him admission to the University of Iowa Writers' Workshop. Once enrolled in the Workshop, Boyle became eligible to take classes in the English department and began work on a Ph.D. in literature. "The minute I got there," he has written, "I grew up. Instead of cutting classes, I sat in the front row and took notes." Although his declared specialty was the Victorian period, Boyle received his doctorate in 1977 for a collection of short fiction published two years later as Descent of Man, and Other Stories. He currently teaches English and creative writing at the University of Southern California, Los Angeles.

Major Works

Following his 1979 debut, Boyle published several collections of short stories, and many of the motifs introduced in Descent of Man recur throughout his short fiction. One of these themes is his conviction that, beneath the technological innovations and ostensible sophistication of modern life, humans remain primitive beings who fall into one of two categories-predator or prey. Boyle traces the struggle between these two groups in Greasy Lake, & Other Stories (1985), If the River Was Whiskey (1989), The Collected Stories (1993), and Without a Hero, and Other Stories (1994). Other themes in his short fiction include the tension between reason and instinct, the self-indulgent materialism that he considers endemic to consumer society, and the jaded complacency that results, in his view, from media excesses. Boyle has explained that his first novel, Water Music (1981), "comes out of having done a Ph.D. in nineteenth-century British literature," citing the essays of John Ruskin and the novels of Charles Dickens as particular influences. Set in Africa at the beginning of the nineteenth century and replete with the historical and philosophical disquisitions that characterize much nineteenth-century fiction, Water Music —which took Boyle three and a half years to write—interweaves two plot strands, one involving the historical Scottish surgeon Mungo Park's...

(The entire section is 23,492 words.)