Student Question
Analyze the poem "Full Fathom Five" by Sylvia Plath.
Quick answer:
"Full Fathom Five" by Sylvia Plath explores the complex relationship with her father, depicting him as a god-like figure. The poem conveys the power and enormity of this figure through imagery such as "miles long" and "surface seldom," but also highlights emotional coldness with terms like "kneeled ice mountains." Plath's use of "obscurity," "danger," and "labyrinthine tangle" suggests ambiguity, culminating in a feeling of suffocation and destruction rather than creation.
In analyzing Plath's poetry, one has to account for the role of her father
in her life and work. Plath's experience with her father was formative.
Articulated in her poetry, there is a struggle to fully make peace with
this father figure. It is a sensibility that can be seen in the poem.
There is an approach to the father figure in the poem as a god.
Like so many relationships with the divine, there is an articulation of power.
Yet, Plath does not fully suggest that there is redemption in this
relationship. There is power and a sense of the massive in the
articulation of the divine. Consider Plath's use of terms such as "miles
long" or "surface seldom" help to bring to light that the vision being
witnessed is that of a larger than life being. Yet, the use of images
such as "kneeled ice mountains" reflects the emotional frigidity that exists
between mortal and divine. There is little warmth in this relationship.
Rather, it is one where the divine demands awe and submissive respect,
without really accounting for much in way of reciprocity. When Plath
employs the images such as "obscurity" and "danger" along with "labyrinthine
tangle," it helps to bring out how she views this figure as one with ambiguity.
Plath is seeking to sort out her own feelings about this figure, one in
which absolutism is not clear. Yet, the closing lines of the poem
reflects the suffocation that she experiences from this figure. This
suffocation is seen in "thick air" that is "murderous" and Plath
suggesting that she "breathe water." It is here where one sees that the
impact of the "divine" figure might not be one of creation, but one of
destruction. This theme will be seen in other Plath poems.
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