Suzan-Lori Parks

Suzan-Lori Parks Criticism

• Introduction
• Principal Works
• Criticism: General Commentary
  • The Possession of Suzan-Lori Parks
  • Reconfiguring History: Migration, Memory, and (Re)Membering in Suzan-Lori Parks's Plays
• Criticism: Imperceptible Mutabilities In The Third Kingdom (1989)
  • Signifying on the Signifyin': The Plays of Suzan-Lori Parks
  • Perceptible Mutability in the Word Kingdom
• Criticism: The Death Of The Last Black Man In The Whole Entire World (1990)
  • Unfinished Business: Reconfiguring History in Suzan-Lori Parks's The Death of the Last Black Man in the Whole Entire World
  • Sambo Subjects: ‘Declining the Stereotype’ in Suzan-Lori Parks's The Death of the Last Black Man in the Whole Entire World
• Criticism: The America Play (1993)
  • ‘No Less Human’: Making History in Suzan-Lori Parks's The America Play
  • Echoes from the Black (W)hole: An Examination of The America Play
• The Postmulticultural: A Tale of Mothers and Sons
• Criticism: Topdog/Underdog
• Further Reading