Susanna Centlivre Criticism
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Centlivre, Susanna (Drama Criticism)
- Introduction
- Principal Works
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Criticism: Overviews
- To the World
- Mrs. Centlivre
- ‘It Is a Woman's.’
- The End of the War and Change in Comedy, 1710-1728
- Rejecting the Status Quo: The Attempts of Mary Pix & Susanna Centlivre to Reform Society's Patriarchal Attitudes
- Writing (as) the Lady's Last Stake: Susanna Centlivre
- Is There a Whig Canon? The Case of Susanna Centlivre
- Reading the Intertheatrical, or, the Mysterious Disappearance of Susanna Centlivre
- ‘What pleasant Lives Women lead in England, where Duty wears no Fetter but Inclination’: Dramatic Representations—Susanna Centlivre
- Criticism: The Basset-Table (1705) And The Gamester (1705)
- Criticism: The Busie Body (1709)
- Criticism: A Bold Stroke For A Wife (1718)
- Further Reading
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Centlivre, Susanna (Literary Criticism (1400-1800))
- Introduction
- Principal Works
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Criticism
- The Wonder: A Woman Keeps a Secret
- Introduction to A Bold Stroke for a Wife
- Writing to Please the Town
- Marriage and Marrying in Susanna Centlivre's Plays
- Confinement Sharpens the Invention: Aphra Behn's The Rover and Susanna Centlivre's The Busie Body
- Centlivre v. Hardwicke: Susannah Centlivre's Plays and the Marriage Act of 1753
- ‘Luck be a Lady Tonight,’ or At Least Make Me a Gentleman: Economic Anxiety in Centlivre's The Gamester
- Further Reading