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Hagar's character and development in The Stone Angel

Summary:

Hagar Shipley, the protagonist of The Stone Angel, is a proud and stubborn woman whose life is marked by resistance to vulnerability and change. Throughout the novel, her development is seen in her gradual acceptance of her flaws and the realization of the emotional barriers she has built. By the end, Hagar's reflection on her past leads to a deeper understanding of herself and her relationships.

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How does Hagar's character develop in The Stone Angel?

The Stone Angel tells a story of an old woman who grows up tough and is filled with pride. She goes through life being an unhappy individual. The protagonist is uncompromising especially with what she believes and comes off as a deeply single-minded character. She suffers a painful tragedy which brings her closer to her human emotions, and at the end of the story she encounters redemption.

Hagar Shipley is the protagonist in the story. Her mother died when she was young and she was raised by her tough, self-made father. Her character and personality were mostly shaped by her father but she ended up defying him by marrying Bram, a man her father considered a lowlife. She did this because of pride and as an act of rebellion toward her father, ending their relationship. She despised her husband and confronted him most of the time, especially with regard to...

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his mannerisms. Their marriage was not a happy one but they had two sons, John and Marvin. Hagar loved John more and to some extent shunned Marvin. She later took off due to her uncompromising nature and left Bram a lonely man who later died. Her favorite son John also died in a freak accident. Hagar grows old and is taken care of by Marvin and his wife, who she verbally abused until she was taken to a nursing home. She is not comfortable there and visits an old cannery for soul searching. It is during her meditation that she comes to terms with John’s death and for the first time she understands her failures in life. She makes changes in her approach and even at some point helps another in the hospital.

In summary, Hagar changes from being a proud, uncompromising woman to a caring woman who eventually attempts to make amends with her past.

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Who is the character Hagar in The Stone Angel?

Hagar Currie Shipley, the protagonist and first person viewpoint character of Margaret Laurence's The Stone Angel, is a complex character. As the book opens, she is 90 years old and dying of cancer. She is also suffering from a degree of dementia. Her family (her son Marvin and his wife Doris) is attempting to place her in a nursing home. She temporarily manages to escape to Shadow Point, an area with an abandoned cannery. There she meets Murray Lees, who has come to escape memories of the death of his son, and they share a bottle of wine and talk. When the night is over, Lees fetches Marvin and Doris and she is returned to the nursing home. Much of the story consists of Hagar's memories of her past and insights into her present.

The stone angel of the title is a monument Hagar's father had erected over Hagar's mother's grave. Oddly, the angel has no eyes, just blank stone ovals. It acts as a symbol for Hagar, in one way blind, but in another solid, unyielding, and enduring. Hagar's character is repeatedly compared to stone. For Laurence, in some ways she represents the life of the prairie, harsh and unforgiving, and yet somehow admirable in its staunch ability to endure. In many ways Hagar is revealed as an unsympathetic character, too proud and unyielding to satisfy the emotional needs of others, there is something inherently admirable about her discovery of her own inner strength and her refusal to yield to the frailty of her body. The first person viewpoint allows us to see inside what might appear the disconnected speech and acts resulting from dementia to the internal logic that motivates Hagar, a fierce pride and independence. When she returns to the nursing home, her strengths turns from rebellion into a willingness to cooperate with others as a gift to them rather than as form of yielding to external exigencies. 

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