Stanley Kubrick Criticism
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Kubrick, Stanley (Contemporary Literary Criticism)
- Introduction
- In Brief: 'Killer's Kiss'
- 'The Killing'
- Film Reviews: 'Paths of Glory'
- 'Paths of Glory'
- Film, Metafilm, and Un-Film
- Broadcasts and Reviews, 1961–1963: 'Lolita'
- Out of This World
- How I Learned to Stop Worrying and Love Stanley Kubrick
- The 'Anti-Militarism' of Stanley Kubrick
- Dr. Strangelove
- Sex and Dr. Strangelove
- Lost in the Stars
- '2001: A Space Odyssey'
- '2001: A Space Odyssey': The Eternal Renewal
- 'A Clockwork Orange'
- Kubrick's Brilliant Vision
- The Context of 'A Clockwork Orange'
- Norman Kagan
- The Films of Stanley Kubrick
- Kubrick and the Structures of Popular Culture
- Stanley Kubrick
- Million-Dollar Blimps
- Films: 'Barry Lyndon'
- Notes on Seeing 'Barry Lyndon'
- Kubrick and His Discontents
- Flamingo Hours: Luminous Machines
- Kubrick's 'Barry Lyndon'
- The Current Cinema: Devolution
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Kubrick, Stanley (Twentieth-Century Literary Criticism)
- Introduction
- Principal Works
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Criticism
- Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus
- Reviews of Day of the Fight and Flying Padre
- The Black Maria Rides Again: Being a Reflection on the Present State of American Film with Special Respect to Stanley Kubrick's The Shining
- Narrative and Discourse in Kubrick's Modern Tragedy
- Understanding Kubrick: The Shining
- Décor as Theme
- The Perception of ‘History’ in Kubrick's Barry Lyndon
- Family Life and Leisure Culture in The Shining
- Star Wars vs. 2001: A Question of Identity
- Pistols and Cherry Pies: Lolita from Page to Screen
- The Uncanny and the Fairy Tale in Kubrick's The Shining
- Ring Round the Moons
- Stanley Kubrick's The Shining
- ‘Come and Play with Us’: The Play Metaphor in Kubrick's Shining
- Admiring the Unpredictable Mr. Kubrick
- Rendezvous with HAL: 2001/2010
- From Hasford's The Short-Timers to Kubrick's Full Metal Jacket: The Fracturing of Identification
- Kubrick and Crane in Full Metal Jacket
- Full Metal Genre: Stanley Kubrick's Vietnam Combat Movie
- Implied Metaphor in the Films of Stanley Kubrick
- Born to Kill: S. Kubrick's Full Metal Jacket as Historical Representation of America's Experience in Vietnam
- Bringing the Holocaust Home: The Freudian Dynamics of Kubrick's The Shining
- The Fall & Rise of Spartacus
- Roman Games
- ‘The Awful Power’: John Updike's Use of Kubrick's 2001: A Space Odyssey in Rabbit Redux
- A Cold Descent
- What about Jack? Another Perspective on Family Relationships in Stanley Kubrick's The Shining
- ‘Real Horrorshow’: The Juxtaposition of Subtext, Satire, and Audience Implication in Stanley Kubrick's The Shining
- Kubrick's 2001 and the Possibility of a Science-Fiction Cinema
- The Kubrick Mystique
- Too Late the Hero
- Kubrick: A Sadness
- The Last Emperor
- Strangelove
- Resident Phantoms
- Eyes Wide Shut: What the Critics Failed to See in Kubrick's Last Film
- Imperfect Love: Stanley Kubrick's Last Film
- Eyes without a Face
- Further Reading