And What If I Spoke of Despair?

by Ellen Bass

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Historical Context

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Environmentalism While the spirit of environmentalism has danced through the ages in various guises, the awakening of environmental consciousness as we recognize it today did not truly flourish until the closing chapters of the 20th century. This shift was largely sparked by a series of dramatic environmental crises. In 1985, the seas bore witness to a bold act when French agents scuttled the Rainbow Warrior, the flagship of Greenpeace, in Auckland Harbor. That same year, vigilant British meteorologists confirmed their lingering fear—a gaping wound had formed in Earth's protective ozone blanket above Antarctica, a direct consequence of human folly with chemicals. Yet, it was the catastrophic 1989 Exxon Valdez oil spill that truly stirred the collective heart. On March 24, the tanker struck a hidden reef, releasing a torrent of over ten million gallons of oil into the unspoiled beauty of Alaska’s Prince William Sound. This disaster ignited a blaze of media scrutiny on environmental matters—pollution, deforestation, acid rain, the rampant use of landfills and incinerators, overpopulation, and the vanishing of wildlife. The momentum for change persisted into the 1990s, kindling a widespread interest in recycling and other green practices. Yet, as Bass penned her poem in 2001, the world's gaze began shifting toward the pressing turmoil of new conflicts, notably the burgeoning fight against terrorism.

Genetically Modified Food The dawn of a new era of scientific inquiry arrived in 1997 with the announcement of Dolly the sheep, the first successful clone of an adult mammal, igniting fervent debates about the ethical and practical dimensions of cloning and genetic engineering as a whole. By the time Bass crafted her poem, one particularly incendiary topic centered around the genetic modification of foods. A sweeping wave of protest emerged in Great Britain, rapidly spreading through Europe and across the Atlantic to the United States as the millennium turned. Advocates of genetically modified (GM) foods argued for innovations—crops bolstered to withstand insect onslaughts and imbued with vaccines, offering potential solutions to diseases like hepatitis B. Critics, however, warned of the perilous path of meddling with nature’s intricate balance, claiming the unforeseeable consequences posed grave risks. Moreover, the commercialization of engineered crops raised alarms, as giant US corporations acquired diverse seed varieties, leading to speculation that the future of the world's food supply could be monopolized by a few entities wielding immense power.

Amidst the swirling controversy, scientific exploration pressed on, unveiling new frontiers in genetic methodologies. In 2001, researchers at Cornell University unlocked the secrets of a gene in tomato plants that influences fruit size—a groundbreaking discovery that stirred imaginations with visions of crops engineered to unprecedented dimensions. Advocates of genetically modified foods heralded this potential, envisioning a world where larger fruits could play a pivotal role in eradicating global hunger, each substantial fruit nourishing more individuals than ever before.

Literary Style

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Imagery The magic of Bass’s poem lies in her masterful use of vivid imagery that dances between light and shadow. She opens with a haunting tableau, capturing the grip of despair that deafens many with "the slosh / of our own blood." Yet, this bleak canvas soon brightens as Bass introduces a shimmering vision — "It’s beauty" is the catalyst for her sorrow. With this revelation, the poem pivots, showering the reader with a cascade of radiant images of both nature and humanity.

Bass conjures scenes of nature's splendor: "Rain / pooled on a fallen oak leaf," a resplendent September moon, and the carefree laughter of children at the beach, blissfully unaware of life's shadows. These vivid depictions of nature's and humanity's virtues amplify the poem’s emotional weight as it delves into darkness....

(This entire section contains 420 words.)

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They serve as a poignant reminder that these cherished moments and scenes might vanish if the current trajectory of environmental degradation and genetic manipulation continues unchecked. In the poem's closing lines, these dichotomous images merge into a single, potent vision of the poet embracing her despair amidst the very beauty she fears will fade or transform beyond recognition.

Personification Beyond imagery, Bass artfully employs personification to explore the profound depths of her sorrow. Through this technique, she breathes human life into the inanimate, endowing nonhuman elements with human traits. The poem introduces the concept of beauty as a living entity: "It’s beauty / that brings it on, calls it out from the wings / for one more song." Although beauty is formless and silent, in Bass’s realm, it takes on a voice, beckoning despair to sing its mournful refrain. This clever use of personification extends to despair itself, which, though intangible, is given the ability to sing in a world only Bass can imagine.

Bass seamlessly weaves further examples of personification throughout her work, such as the "humiliated" tomato. However, the most striking instance is nature portrayed as a nurturing mother. The familiar term Mother Nature gains a deeper significance in Bass’s vision, where nature is endowed with maternal, human-like qualities. The elements, such as water and air, tenderly "sweep hair off our brow," echoing the gentle touch of a caring mother. By humanizing nature, Bass heightens the impact when she speaks of humanity’s destructive tendencies. The routine harm inflicted on plants, animals, and other natural elements often goes unnoticed, yet the loss of human life stirs our compassion. Thus, when Bass speaks of humanity poisoning their "mother" with pollution, the tragedy resonates more profoundly.

Bibliography and Further Reading

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Sources

Bass, Ellen, “And What If I Spoke of Despair,” in Mules of Love, BOA Editions, 2002, pp. 78–79.

Cummins, Ronnie, and Benn Lilleston, Genetically Engineered Food: A Self-Defense Guide for Consumers, Marlowe, 2000, pp. 17, 59.

Steinberg, Mark L., and Sharon D. Cosloy, The Facts on File Dictionary of Biotechnology and Genetic Engineering, rev. ed., Checkmark Books, 2001.

Yoon, C. K., “Altered Salmon Leading Way to Dinner Plates, but Rules Lag,” in the New York Times, May 1, 2000, p. A1.

Further Reading

McGee, Glenn, ed., The Human Cloning Debate, 3d ed., Berkeley Hills Books, 2002. First published after the 1997 cloning of the sheep Dolly, this updated collection of essays outlines the major ethical issues involved in human cloning. It also gives a comprehensive overview, in layperson’s terms, of the science involved in cloning.

Nader, Ralph, and Martin Teitel, Genetically Engineered Food: Changing the Nature of Nature, 2d ed., Inner Traditions International, 2001. Nader, a well-known environmentalist and Green Party political candidate, and Teitel give a thorough overview of how food is genetically engineered. The authors also examine the potential ethical and environmental consequences of genetically engineered food.

Schor, Juliet, and Betsy Taylor, eds., Sustainable Planet: Solutions for the Twenty-First Century, Beacon Press, 2003. Schor and Taylor, both involved administratively with the Center for a New American Dream (CNAD), compile sixteen essays from a variety of environmental commentators. The mission of CNAD is to protect the environment, enhance the quality of life, and promote social justice. Each essay offers suggestions for how to achieve this goal.

Stock, Gregory, Redesigning Humans: Our Inevitable Genetic Future, Houghton Mifflin, 2002. Stock is the director of the Program of Medicine, Technology and Society for the School of Medicine at the University of California, Los Angeles. In this book, Stock discusses his belief that the same genetic engineering that is being used to redesign natural foods like tomatoes will also be used to redesign humans at the genetic level.

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